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Selling art is a lot different than making it.
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Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film.
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I think in the 'Deadpool' franchise, the writers are really good at distilling the good stuff and applying that to the material in this universe.
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Spies go undercover. They take on different personas.
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Choreographing a fight scene is telling a little story. You learn a lot about the characters involved.
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Some actors have an affinity for dance, and they should explore it, train in it, and get good.
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I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters.