Kurt Elling Quotes
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While I revel in the memories of my own Grammy moment, I also know how it feels to walk away empty-handed.
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Karl Johnson, my first piano player at Milt Trenier's, he just swung really hard and gave me a sense of really belonging to the jazz scene.
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My goal is to be really incredible by the time I'm 70.
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I spend upwards of 200 nights a year on the road.
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I think my intention was there, and my love for the music was apparent. And there are very few singers who get up and desire to take the kinds of risks that jazz musicians routinely need to be taking.
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Man, I just feel so fortunate to be a jazz musician at all. I have a hard time thinking of it any other way. It's such a fulfilling vocation. I love it.
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I couldn't do what I do without the encouragement and influence of the musicians I played with in Chicago.
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I hope that I'm also maturing emotionally as a human being as things go on.
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Romance is one of the things that most countries share, and I've noticed how different communities have their own ways of singing about love and heartbreak.
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It must be a hellish thing to know what's possible in music, to be hearing things all the time and not have an appropriate outlet for them.
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I want to be the jazz singer.
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I try to stick with things that I can sing with honesty.
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Chicago is my home. And the way Chicago sounds will always be a part of who I am.
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I don't want to take it easy.
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I'd been studying philosophy at the University of Chicago. I hadn't been doing well, because I was sitting in with jazz musicians at night - it's hard to read Heidegger, but it's especially hard if you're half asleep.
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We live in a society where it's cool to be criminal.
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I think of jazz as being homage through innovation. Don't quote that as a definition, but it comes pretty close.
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One doesn't have to scat to be a jazz singer.
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I listened to a lot of King Crimson back in the day.
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You can never predict what the specific shape of your life is going to be, and you won't really know its general shape until, God willing, you're advanced in years and you have the time and opportunity to look back in a coherent way and see what your life was about.
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If I was going to sell out, I would do it for more than 10,000 records.
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I like the power and versatility of a big band and how an orchestra can vary the dynamics from very loud to very quiet, and SNJO covers those bases.
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You don't know what bravery is until you overcome fear.
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The singer is always an ambassador of music.