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You're telling the story, creating the sets, doing the lighting, the designing, and establishing the pace.
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Kyle Baker's work is really funny, but it's also got a very clear vision.
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And that, to me, is the main attraction to comics. It's an avenue to say what you want to say.
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Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.
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Cartooning is an honorable thing.
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To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach.
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But with comics you're reading and assimilating an image simultaneously, instead of just reading or watching the tube.
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If you're going to establish a certain level of unreality than you have to deal with it.
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But if I really want to produce my own work and tell stories, then I will.
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I still love a lot of the guys who just paint.
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I wanted to learn how to paint rather than just doing black-and-white work.
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I want to say 90% of stuff out there is just crap that got made. The main point is that it got produced.