Ellen McLaughlin Quotes
One of the reasons I admire David Lindsay-Abaire's work is that he, like the Greeks I've spent so much of my professional life contemplating, is not afraid of taking on the big stuff - huge, human, moral issues - what do we owe to those we love?
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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There's a lot of things lost in the Digital Age.
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It is absolutely critical for competitiveness in the United States for us to really raise the bar in education, especially in math, in science, in technology.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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I am a great believer that a captain is as good as his team.
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Don't bother about being modern. Unfortunately it is the one thing that, whatever you do, you cannot avoid.
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I think my sweet spot is to make personal films on not-too-big budgets and also make other people's films, bringing productions to Iceland, upping the business here.
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When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environment you are playing it in and the culture of that place.
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The subculture of felons is in great vogue among adolescents. Enron, WorldCom, Tyco, and so forth allow us Republicans to say to America's young people, 'We be thugs.' The GOP may capture the youth vote at last.
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How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
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I'm triggering acoustic instruments. I'm literally beating, smacking, hitting, blowing, doing physical things. It's an incredibly exciting way to make music.
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Never, for the sake of peace and quiet, deny your own experience or convictions.
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I had to jump on the tractor and do my chores. I would have just killed to be in town, to be able to Rollerblade hand-in-hand with somebody I had a crush on. I just wanted to get off the farm, to find my outlet.
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I'm not sure if it's good to have freedom or not. I'm really confused now.
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I'm not pretending to be ingenuous; I know what I'm doing.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down... some sort of permanent statement about the way it feels to live now, today.
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I didn't wake up and decide to become an activist. But you couldn't help notice the inequities, the injustices. It was all around you.
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I think that fame only goes to your head if you are not a real artist. If you are a real artist and a good person who loves what they are doing, you are going to be the same person.
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We know that when Main Street does well, so do American families.
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If we think that this life is all there is to life, then there is no interpretation of our problems, our pain, not even of our privileges. But everything changes when we open up to the possibility that God's story is really our story too.
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No god ever gave any man anything, nor ever answered any prayer at any time - nor ever will.
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This nation has always struggled with how it was going to deal with poor people and people of color. Every few years you will see some great change in the way that they approach this. We've had the war on poverty that never really got into waging a real war on poverty.
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One of the reasons I admire David Lindsay-Abaire's work is that he, like the Greeks I've spent so much of my professional life contemplating, is not afraid of taking on the big stuff - huge, human, moral issues - what do we owe to those we love?
