David Maisel Quotes
I think the feeling of being kind of overwhelmed is almost part of the aesthetic of the work.
Quotes to Explore
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'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
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I get recognized so much. It happens mostly when I'm in Starbucks.
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With a gentleman I am always a gentleman and a half, and with a fraud I try to be a fraud and a half.
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Serena and I have done some great career planning, and we're playing really at the peak of our tennis right now. I think tennis has been a sport where people play this insane schedule from 14 years old, so of course at 26, it's over. We've really paced ourselves.
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I don't really think about what's 'age appropriate' for my audience because I think they can handle quite a bit, but I do try to think about what's honest and true to my characters who have grown up in situations where they've been taught to handle these things very carefully and that they're very powerful.
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When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'
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Obviously, it gave me a chance to see Barcelona. I won't deny that. But I also had a chance to see something in another country in terms of recycling and reusing nuclear material.
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Creativity runs across many categories in life, from the arts-and-crafts project a mum or dad does with their kids, to the bestselling author's manuscript, to the designs of the hairdresser, to the creations of the computer programming genius.
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I'm not denying that it's exciting to have a play on Broadway.
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Nashville, I think, for me, personally, would be where I want to live and work. L.A. is a whole other world and has a whole other vibe to it, so I would like to come out here for work for a couple of months, but L.A. is just not really my scene, per se.
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Lester is the Rock of Gibraltar. Nothing can rattle him. I am not. I was always flying off the handle about things. And the one person who could calm me down and make me realize that none of this silliness mattered was Lester Holt.
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Doctrines provide an architecture for both Republican and Democrat presidents to carry out policies.
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I'm not going to choose between classical, Broadway or pop. I would love to stay where I am now - a mix of everything.
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When I was 18, I couldn't wait to move away. I was like: 'If I ever have to come back here, I'll kill myself.' Glasgow seemed like failure and death to me back then, but not any more.
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I'm a weekday warrior who takes our Georgia values to Washington, and on the weekends, I'm back home.
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If you're a basketball player, you've got to shoot.
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If you care about injustice, and if you care about freedom, and you care about human rights, then you care about them everywhere.
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Thou shalt free thyself from convention, from everyday morality.
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In the past, poetry came in the form of spells and chants used to effect change.
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Skullcrack City messes with your mind the way William Burroughs or a bellyful of hallucinogens will do. I'm a longtime fan of Johnson. A master of derangement, he's been bringing it for years. This time, though, it's different. He's burst into the clear and is taking seven-league strides across the literary landscape.
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We're learning how important it is both to preserve sibling relationships if they work and repair them if they're broken. We're also learning a lot about nonliteral siblings - stepsiblings, half-siblings - and the surprising power they can have.
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Often, I work out of my work. One work takes me to the next thing.
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It was a wonderful experience to work with Sylvia. She pushed me to be more powerful with my acting, and she told me scores of the most incredible stories I've ever heard. She is amazing.
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I think the feeling of being kind of overwhelmed is almost part of the aesthetic of the work.
