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By the time I could have played football, I was already into acting and that's what I wanted to do.
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I don't care about the money. I just need, as an actor, to do as many different things that I can to make me feel good about myself.
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I was stuck as a Boomer type in a lot of people's minds.
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The relationship with producers has always, in my experience, been, uhhh - tense. Challenging. But the actors and crew become like family. You're there all those hours - more than on a movie. You come to depend on each other.
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No matter how many people tell you, Save your money, when you've got a series, you never do. Somehow it doesn't seem important. Maybe it's because you've been without money for so long as an actor.
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I don't even know what TV star means. I know there's a difference in how people approach you, compared to movies. They feel OK coming up to you and sitting with you in a restaurant, unfortunately.
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I'm acting for the pleasure of it.
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Part of the problem when I was doing 'How I Learned to Drive' is I would see my kids one night a week for six months, and that was just too hard. We moved to Philadelphia after we lost our house in the earthquake, the '94 Northridge earthquake.
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It's great to be able to have your feet in both worlds. I wouldn't want to be just stuck in one or the other.
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Home wasn't a pleasant place to live, growing up.
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I'm not sure I always feel like I'm in the seat. Sometimes I'm only holding on by one hand and flying out behind the roller coaster. I don't know anybody who doesn't feel that way.
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Film is a very intimate medium.
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In my first film, I was a basketball player. Like every good actor, I lied when they asked me if I could play.
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I gave up planning when our children were born, when I had three children to feed and a roof to keep over our head and all of that. Early in my career, I said I would never do television at all; then I wound up doing nothing but television for 10 years when I did 'St. Elsewhere' and all those TV movies.
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I have a DVD player and I have DVDs, and I have no time to watch any of them.
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With repertory, you had to play all these different characters. The range of roles is really what I fell in love with, every night getting to become somebody different. That was my idea of acting, getting to be part of the company and a family.
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With Sean Penn, he wants to be surprised. He doesn't necessarily want what he's written, although we'll do what he's written. He likes the danger of acting.
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I've done scenes in films that I felt like the performance was better in certain takes, but they couldn't use them because it didn't match what the person was doing when they came around and the camera was on them.
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There's been one movie star that would not work with me because of my height. I had so many people who had to stand on boxes when they do scenes with me.
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As actors, we often look for the scene, big moments that say, 'This is why you have to do this role.'