Marshall Allman Quotes
To act, no matter how the character is, you have to love and have compassion for the character you're playing.
Quotes to Explore
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I found it an interesting portrait of a marriage in exploring notions of how one partner supports the other, whilst not jeopardizing the greater good - which is the family.
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Try letting a Kindle protect your heart from sniper fire!
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As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for De Niro there's Pacino and for Pacino there's De Niro.
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Knowing constitutional law helps one at the opera. The trial in 'Billy Budd,' as example, invokes the fugitive slave clause of the U.S. Constitution.
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I had no desire to be a chef, but I had a desire to be someone who was heard.
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I am a little older and understand the nature of the business - the older you get the more your skills supposedly diminish, but I think I am getting wiser in how to use my physical skills. That's the frustrating part when you put so much heart and desire into things and feel like you are not wanted.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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In human years I am 29. In actress years I'm the ripe, promising age of 18 to 35. That's how it works here in Hollyweird.
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I did every job under the sun from bartending to ushering to temping.
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My characters hope for better lives.
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I came from Yale, where you get an extracurricular degree in self-importance because you went there. When AIDS happened, I was treated like an outcast. And I don't like that feeling.
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The same way you can see me sit at a table in a movie and be six different people, the mother and the uncle and all these different things, when I'm in the studio, I can do that, too. I'm not trying to be a recording artist and have a certain type of music for the radio.
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DURING the first years of my service in Dr. Flint's family, I was accustomed to share some indulgences with the children of my mistress.
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My kind of, like, life goal is to help train students to be good people as well as good scientists. That would be my dream.
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With all of their benefits, and there are many, one of the things I regret about e-books is that they have taken away the necessity of trawling foreign bookshops or the shelves of holiday houses to find something to read. I've come across gems and stinkers that way, and both can be fun.
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I just kind of assumed that you do a movie and then you leave and you hop onto the next thing. I never thought that people are actually buddies.
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My mom is painfully sweet; she's from Nebraska.
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If you don't know where you are going, you might wind up someplace else.
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I was trained to be very tough. My mom told me I shouldn't cry; I shouldn't be afraid of anything.
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My kids listen to everything because I listen to everything, so it's not far-fetched to hear them playing Metallica and then playing A Tribe Called Quest or N.W.A.
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For me, 'The Social Network' isn't about Facebook. It certainly isn't about how people use it. It's about a flawed character and his pursuit of that grand idea that defines him and validates his life and how far he'll go to get it, and the repercussions that come as a result of that - what he gives up in the process.
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There's no excuse for having a mental or creative block in sound. You can just go out and collect things in the real world - they make the sound, not you. It's very restricting to always use a library for sound effects. It's much more interesting and freeing to go out and record new sounds because you never know what you're going to get.
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To act, no matter how the character is, you have to love and have compassion for the character you're playing.
