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The older I get, the more I dance like my dad, and I'm finding that suddenly cardigans are becoming more attractive to me.
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There are certain directors who just don't cast diversely in prominent roles. Ever. Often it's just because they don't have a diverse social circle, so they don't think of black or brown people as husbands, best friends, bosses.
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Reed Morano is an amazing woman and one of the most extraordinary people I've had the chance to work with.
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It's hard for men sometimes to talk about feminism, just as it's hard for people who aren't from ethnic minorities to talk about racial prejudice. It's a difficult conversation to have, but that doesn't mean we shouldn't have it.
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Words can be an act of reductionism.
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'The Interceptor' has an excitement and grittiness to it, but it's also very entertaining. It lives in this sphere of a slightly heightened reality where, although you completely identify and recognise all the characters in it, they're fun and exciting to watch.
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My family are quite academic, and I was set to study economics and politics at university.
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'The Interceptor' is gritty but also entertaining. The action is great as well.
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I try to encourage myself to act in a way that supports gender equality, and I call that feminist. Whatever word people want to use to call that, I'm not really attached to a label.
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I really want to do Broadway.
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My whole life, I have considered myself a feminist.
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I think what often happens when people leave their spouse for someone else is they tend to go for the opposite of what they already have.
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I feel like within each of us is a million different people that we could reveal and that we can be sometimes... And for me, the process of acting isn't so much about finding the person outside of myself and mimicking them but, rather, releasing parts of myself and adding them to the character.
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As a younger man, I thought the best thing art could do was to challenge people's mindsets, and I still do, but I've come round to the value of entertainment. A show like 'The Interceptor,' which gives the audience that release, after a hard day, of just sitting down and enjoying themselves - that adds value to lives, too.
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As an actor, you can't play a flashback; you can't play someone's memory. You just have to play each circumstance as if it was real and understand that person's point of view.
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As a man, having a conversation about feminism can be tricky - the best I can do is to have assumptions and ask questions. You always run the risk of putting your foot in it.
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I think the two main tools actors have are the imagination of what other people have gone through, to connect with and through research, and there's one's own experience.
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I came to the States less to find fortune and fame and more to kind of have a life experience of seeing something new.