Ory Okolloh Quotes
I want my work at Google to have a long-term impact on the tech scene in Africa and to result in millions more Africans not just going online but having an amazing experience once they do. That's what drives me every single day when I get to work.
Quotes to Explore
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I drove long distances like the 24 hours of Le Mans for years. But even this racing is now over. I retired.
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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Work with some men is as besetting a sin as idleness.
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Hard work is not why I have been successful as a model.
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I don't care how smart a kid you are. The only way you learn what's not right is from experience.
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It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.'
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I learned a long time ago in Hollywood that the only person I should vote for is myself.
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You learn so much about yourself as an artist. I never would have thought that I could sing every night, you know? Travel and perform every single night, and travel to another city the next day and do it all over again? You learn a lot of new things about yourself, and you make a lot of connections with people.
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There's not a day that I don't work on vocals, have vocal coaches, go to acting classes, read books.
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It is necessary to try to pass one's self always; this occupation ought to last as long as life.
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I've got a clear line between work and real life.
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There are times when fixing things quickly is the only option: when you have to channel MacGyver, reach for the duct tape, and cobble together whatever solution works right now. If someone is choking on a morsel of food, you don't sit back, stroke your chin and take the Aristotelian long view. You quickly administer the Heimlich maneuvre.
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A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
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I work hard and support myself.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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Imagination is a very potent thing, and in the uneducated often usurps the place of genuine experience.
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Someone asked me the other day what it feels like to see all my 'old stuff' reappearing, at long last, in digital. And I had to smile because to me it doesn't feel like 'old stuff.'
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When you work with Ray Charles, Billy Eckstine and Frank Sinatra, and you tell them to jump without a net, you better know what you're talking about. Thank God I was ready for it.
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I have nothing against people having work done, it is when I hear tale of girls of 16 queuing up to get bigger breasts, that is when I despair.
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I love working with the same actors repeatedly. That happens a lot. It's kind of inevitable, especially if you work with the same writers and directors and you start to form a company of actors. You gravitate towards each other.
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I believe that no endeavor that is worthwhile is simple in prospect; if it is right, it will be simple in retrospect.
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I'm out of bed before the alarm goes off.
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If you cannot bear these stories then the society is unbearable. Who am I to remove the clothes of this society, which itself is naked. I don't even try to cover it, because it is not my job, that's the job of dressmakers.
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I want my work at Google to have a long-term impact on the tech scene in Africa and to result in millions more Africans not just going online but having an amazing experience once they do. That's what drives me every single day when I get to work.
