Elvis Mitchell Quotes
The director Sofia Coppola's new comic melodrama, 'Lost in Translation,' thoroughly and touchingly connects the dots between three standards of yearning in movies: David Lean's 'Brief Encounter,' Richard Linklater's 'Before Sunrise' and Wong Kar-wai's 'In the Mood for Love.'
 
					Quotes to Explore
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	I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.   
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	I was practically driven to Rome in order to obtain the opportunities for art culture and to find a social atmosphere where I was not constantly reminded of my color. The land of liberty had no room for a colored sculptor.   
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	I would describe my sound as classic Motown.   
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	If you have multiples of anything, you have the possibility of repetition. Repetition creates pattern and also unity. Put anyone in a room with a pile of similar objects and say, 'I want a pattern by 3 P.M. or no dinner.' Anyone would come up with a design. It is easy, fun and available to anybody. Most people just don't have the nerve.   
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	When you're a kid, to be honest, you could be in the worst situation ever, but you're still going to have ways to enjoy it.   
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	I have as much artistic freedom in my television work as I have in my films.   
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	My mantra is: 'Good design accelerates the adoption of new ideas.'   
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	All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead.   
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	We work a lot, and we have a lot of discipline because we are really tired that people know Colombia as a violent country. We just want to change that face of the country, and the music that we're doing is the music that people want, that people love.   
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	I'm obsessed with media and the way audiences can become creative participants.   
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	I never know what is going to have that 'X' factor and what isn't.   
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	National independence, and the preceding political struggles, helped create the space for literary creation in many post-colonial countries. Much of modern Indian or Chinese literature is inconceivable without the political movement for freedom from foreign rule.   
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	I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.   
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	Let me be the first to say I can't remember ever having a conversation about the definition of consent when I was a kid. I knew that 'no' meant 'no,' but that's it.   
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	I was lucky to have my allergist who diagnosed me with CIU.   
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	Maui reminded me of San Diego: beautiful, but crowded.   
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	I have no pretension that I belong in D.C. I mean, I have to be cautious on how we do our restaurant.   
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	Whoever Boost works with, Sprint will work with. And whoever Sprint works with, Verizon and AT&T will as well.   
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	Instead of indulging in jealousy, greed, in relishing themselves, there are men who keep their hearts alert to the stillness in which time rolls on and leaves us behind. … those who are open to the wonder will not miss it. Faith is found in solicitude for faith, in an inner care for the wonder that is everywhere.   
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	Romantic relationships are the least interesting thing for me to write about. I'm 45, and that's not the most interesting thing in my life anymore.   
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	Like many Americans my thoughts and prayers are with the people of London. My deepest sympathies are extended to those who lost a loved one in the recent terror attacks.   
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	Well, my son really loves wildlife. And everytime he draws a polar bear I want to tell him there probably won't any by the time... he's my age. That's kinda hard to deal with.   
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	When my dad was young he shot marbles. When I was young I played Marble Madness on my Nintendo Entertainment System.   
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	The director Sofia Coppola's new comic melodrama, 'Lost in Translation,' thoroughly and touchingly connects the dots between three standards of yearning in movies: David Lean's 'Brief Encounter,' Richard Linklater's 'Before Sunrise' and Wong Kar-wai's 'In the Mood for Love.'   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					