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The real trick to these movies and making the big action sequences work - and I've forgotten this sometimes and screwed it up - the characters really have to be humanized. Because you can have the greatest special effects in the world, but if you don't care about the people in those effects, there's no impact.
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There are three things that I'm addicted to when it comes to entertainment. In no particular order, One, I'm addicted to the cheer moment. 'Librarians' has plenty of them. Next, I feel that life is hard, and I want my entertainment fun, and 'Librarians' is fun as a Christmas party. And third, I like to be moved.
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Television is like speed chess, as you have no time and no money. It is like trying to play Grandmaster chess with a 20 minute timer. The rewards are great, though, as it moves faster and you get to see the finished results much quicker.
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Paramount Pictures is a perfect partner for Electric Entertainment, with the most stable group of executives in Hollywood and unparalleled global promotion and distribution reach.
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The movie business is not something that can come from the brain. It really comes from the soul and the heart.
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We had an amazing experience shooting the first season of 'Leverage' with such a talented cast and crew and with the full support of TNT behind us.
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Spielberg is our hero. For him to make a nod to 'Godzilla' just before we make our movie is like getting the king to acknowledge you at dinner.
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There's a lot of superhero stuff out there and a lot of cop stuff out there. What we have very little of anymore is adventure.
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When you convince sci-fi fans you've done something cool, you get them in huge numbers.
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We took over with 'Leverage' three warehouses, and now four with 'The Librarians,' and turned them into proper sound stages with sound doors and all the lights. We now have control of four real, proper-sized sound stages. The problem is they're dark and empty half of the year because there aren't enough productions coming into Oregon.
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The Titanic hit the iceberg not because they could not see it coming but because they could not change direction.
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Everybody already knows what Godzilla is.
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The days of family entertainment seem to have left us.
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Had the car companies continued to do generation two, generation three, generation four of the EV-1, we'd be looking at a spectacular car today.
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When I tried to get 'Stargate' made, I took it to every studio in Hollywood and every studio said, 'Sci-fi is dead. It's a dead genre. No one wants to see science fiction anymore.' And I had to go and raise the money independently to make that movie.
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The scale of 'Independence Day' is much more than 'Stargate.'
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I always wish I had another shot at it. But, listen, 'Godzilla' is something that I grew up loving. We worked hard to go make one. We kind of blew it. I think everyone gets one.
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I hope to make the most expensive movie in history at some point!
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I've always said that I don't believe in Santa Claus, but I could make a great movie about him if I set my mind to it.
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In the '80s, all the movies became predictable.
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We used to call them the storm of the century but now we're seeing what happens if we don't act fast enough - and real human beings are suffering because of that.
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Kurt Russell is the guy you know. He's not something out of a weight-lifting magazine or a cartoon character. The closest thing to him would have been Steve McQueen.
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We've always had a simple philosophy in casting. We don't care if somebody's a big star or a little star. We just want the best possible actor for the part.
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Usually when you're doing a season one, you're trying to find the show.