Bipasha Basu Quotes
It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.

Quotes to Explore
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If you saw a dog going to be crushed under a car, wouldn't you help him?
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I am absolutely and inherently self-destructive in that I am always making sure I'm doing what I want to do.
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As a mom, I don't have much time for beauty.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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History is a race between education and catastrophe.
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Whenever I do something, it seems so right. And turns out so wrong.
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Some of the greatest relationship films of all time, the two stars have hated each other, but mostly you see that chemistry.
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Wal-mart... do they like make walls there?
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When I was younger, I was insecure for about 10 years: I wore glasses, had a cow's lick, buck teeth and braces. I looked ridiculous.
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'LazyTown' is on a mission to move the world to be a healthier place. When we get kids moving, we get their families moving. And when families move, we are one step closer to moving the world. Move the body, move the mind, every day.
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I make American films for American audiences and Asian films for Asian audiences.
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I love the science-fiction genre because there's always so many endless possibilities! It's a limitless genre and can be fun playing around with otherworldly ideas.
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I have a Rhodesian Ridgeback dog named Lola.
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Everyone is going to have to step up to the plate.
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I don't want to rap forever. But I want to be rich forever.
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When I was a 7-year-old girl, in my bedroom, on my karaoke machine, I would sing 'On My Own' or do a one-woman version of 'Les Miserables.'
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Everything I say is true.
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Everybody does their homework, and we all come together and just knock it out. There are adjustments to make, and if you have actors who are collaborators and who really know how to listen and be in the scene together, than it works out beautifully.
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I feel funny about owning art. I don't really want to say: 'Wow, come and see my Monet - it's in a dark room at the bottom of my cellar.'
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When any one of our relations was found to be a person of a very bad character, a troublesome guest, or one we desired to get rid of, upon his leaving my house I ever took care to lend him a riding-coat, or a pair of boots, or sometimes a horse of small value, and I always had the satisfaction of finding he never came back to return them.
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What does God want me to do with the resources, time, and talents He has given me?
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Times and conditions change so rapidly that we must keep our aim constantly focused on the future.
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Pundits always have something to write about; the novelist just has a blank screen.
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It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.