Bipasha Basu Quotes
It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.
Quotes to Explore
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If you saw a dog going to be crushed under a car, wouldn't you help him?
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I am absolutely and inherently self-destructive in that I am always making sure I'm doing what I want to do.
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As a mom, I don't have much time for beauty.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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History is a race between education and catastrophe.
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Whenever I do something, it seems so right. And turns out so wrong.
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Some of the greatest relationship films of all time, the two stars have hated each other, but mostly you see that chemistry.
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Wal-mart... do they like make walls there?
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When I was younger, I was insecure for about 10 years: I wore glasses, had a cow's lick, buck teeth and braces. I looked ridiculous.
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'LazyTown' is on a mission to move the world to be a healthier place. When we get kids moving, we get their families moving. And when families move, we are one step closer to moving the world. Move the body, move the mind, every day.
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I make American films for American audiences and Asian films for Asian audiences.
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I love the science-fiction genre because there's always so many endless possibilities! It's a limitless genre and can be fun playing around with otherworldly ideas.
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I have a Rhodesian Ridgeback dog named Lola.
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Everyone is going to have to step up to the plate.
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I don't want to rap forever. But I want to be rich forever.
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When I was a 7-year-old girl, in my bedroom, on my karaoke machine, I would sing 'On My Own' or do a one-woman version of 'Les Miserables.'
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Everything I say is true.
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Everybody does their homework, and we all come together and just knock it out. There are adjustments to make, and if you have actors who are collaborators and who really know how to listen and be in the scene together, than it works out beautifully.
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I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
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A budget should be judged by whether it creates a foundation for the success of American working families striving to buy a house, or to send their kids to college, or to save a little for retirement and, if they're lucky, a vacation.
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We live in secular world now, but most of our art and culture is rooted in religion.
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I stood in the bay window at our house and I sang Away In A Manger. It was my first time on stage, but there was nobody watching. I just remember it was so natural and it was such a secret - like masturbating. I felt like I had to wait until everybody was gone. So I guess six years old would be my most important age, 'cause in that moment, I just knew what I wanted to do.
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While trauma keeps us dumbfounded, the path out of it is paved with words, carefully assembled, piece by piece, until the whole story can be revealed.
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It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.
