Jasmine Lucilla Elizabeth Jennifer van den Bogaerde (Birdy) Quotes
When I performed at 'Open Mic U.K.' I had this connection with the audience that I'd never felt before, and I loved it. It was my first big thing, and looking out into the crowd... was just amazing.
Quotes to Explore
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It wouldn't be fair to drag a child round the world, touring.
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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I like being an outsider. It is better in France on the outside.
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I pass by that it is very culpable to be facetious in obscene and smutty matters.
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We are like a traveling circus, our family! We sing, we dance, we do football, we do fashion.
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I know that one of the distinguishing things was I looked like I could hold a gun, even though I'd never held one before and I'm physically able to do the martial arts and all that stuff.
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The thing is, it's not good anyway for eight-year-olds to be out there playing tennis tournaments so soon in their lives. But when I did get to play in a tournament, when I was nine, I was overjoyed.
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My partner has to have good sized bones.
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There's only one way to become a hitter. Go up to the plate and get mad. Get mad at yourself and mad at the pitcher.
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'I wish life was not so short,' he thought. 'Languages take such a time, and so do all the things one wants to know about.'
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It's like a painter with various layers of paint. I start with a drum loop and add keyboards, and then melodies start to take shape. The vocals happen later. I've never really done therapy before, but it's a form of therapy. Everything else falls away.
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Horses are in our DNA. We used them way before cars for commuting.
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Being an economist is the least ethical profession, closer to charlatanism than any science.
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I love hugging people. I still hug everybody in my meet-and-greet lines.
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Well, I don't give it out very often, but I reject the notion that you have to be a practitioner to give good advice.
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I took to wearing a black tie known as the Ascot, with long drooping ends. I had seen pictures of painters, sculptors, poets, wearing this style of tie.
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Photography, painting or poetry – those are just extensions of me, how I perceive things; they are my way of communicating.
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I mean, what is racism? Racism is a projection of our own fears onto another person. What is sexism? It's our own vulnerability about our potency and masculinity projected as our need to subjugate another person, you know? Fascism, the same thing: People are trying to untidy our state, so I legislate as a way of controlling my environment.
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In France, that let down the barriers more than a hundred years ago, the feeling of antipathy is still strong enough to sustain an anti-Jewish political party.
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I think 'Amazing Race' is sometimes like being on tour.
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When I approach any script, I always try to find what I would relate to most in it.
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I had an awkward moment when I got a phone call from the person pretending to be Winnie Mandela. 'Winnie' sounded about 12 years old, unfortunately - she'd probably been pushed to the telephone because she was the only one who spoke English.
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The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
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When I performed at 'Open Mic U.K.' I had this connection with the audience that I'd never felt before, and I loved it. It was my first big thing, and looking out into the crowd... was just amazing.
