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If you are not able to transmit what you're trying to achieve to your collaborators, you will only have minions - or morons.
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Something like 'Abstract' can really give people access to the behind-the-scenes of how our physical surroundings take shape.
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We can engineer a building and design a building with least reliance on active machinery to make it inhabitable.
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When I started studying architecture, people would say, you know, 'Can you tell me why are all modern buildings so boring?' Because, like, people had this idea that in the good old days, architecture had, like, ornament and little towers and spires and gargoyles, and today, it just becomes very practical.
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In Copenhagen, there's a long-term commitment to creating a well-functioning pedestrian city where all forms of movement - pedestrian, bicycles, cars, public transportation - are accommodated with equal priority.
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Sustainability can't be like some sort of a moral sacrifice or political dilemma or a philanthropical cause. It has to be a design challenge.
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I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
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You can say, like, planet Earth has an existing geology, and what we do as human beings and as architects is that we try to sort of alter and modify and expand the geology.
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Architects have to become designers of eco-systems. Not just designers of beautiful facades or beautiful sculptures, but systems of economy and ecology, where we channel the flow not only of people, but also the flow of resources through our cities and buildings.
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New York is flat - it's ideal for bicycling.
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I think if I would have started BIG in America, I would probably never have called it BIG. There was nothing but a little bit of local small country humor in the idea.
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St. Petersburg is a wonderful city. You have wonderful parks, birds singing in the trees, manatees in the water, pelicans. So it's like this little paradise on Earth.
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Instead of trying to change people, we could change the world.
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I think the avant-garde often hides itself in the highly incomprehensible because they are frustrated that the real world is so boring.
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I almost never listen to the radio.
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My drawing skills probably froze around when I was 18... Now I'm more interested in the story, how the drawings, the layout can help express the stories and communicate them.
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Our cities are not polluted or congested because they have to be. They are what they are because that's how we made them.
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Today, we have sophisticated building technology: we can calculate and simulate the environments and performance of the building, the thermal exposure of envelop, or the air flow through an urban space or structure.