Bjarke Ingels Quotes
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I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.
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In the big picture, architecture is the art and science of making sure that our cities and buildings fit with the way we want to live our lives.
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If I was misogynist, would I hire a woman as my CEO? Probably not. I grew up in Denmark, for crying out loud. Denmark is probably one of the places where equality is actually fully achieved. Our political system is practically a matriarchy.
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If you are not able to transmit what you're trying to achieve to your collaborators, you will only have minions - or morons.
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We can engineer a building and design a building with least reliance on active machinery to make it inhabitable.
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In Copenhagen, there's a long-term commitment to creating a well-functioning pedestrian city where all forms of movement - pedestrian, bicycles, cars, public transportation - are accommodated with equal priority.
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Sustainability can't be like some sort of a moral sacrifice or political dilemma or a philanthropical cause. It has to be a design challenge.
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Something like 'Abstract' can really give people access to the behind-the-scenes of how our physical surroundings take shape.
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I almost never listen to the radio.
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You can say, like, planet Earth has an existing geology, and what we do as human beings and as architects is that we try to sort of alter and modify and expand the geology.
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I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
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New York is flat - it's ideal for bicycling.
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St. Petersburg is a wonderful city. You have wonderful parks, birds singing in the trees, manatees in the water, pelicans. So it's like this little paradise on Earth.
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Instead of trying to change people, we could change the world.
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Today, we have sophisticated building technology: we can calculate and simulate the environments and performance of the building, the thermal exposure of envelop, or the air flow through an urban space or structure.
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I think if I would have started BIG in America, I would probably never have called it BIG. There was nothing but a little bit of local small country humor in the idea.
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Our cities are not polluted or congested because they have to be. They are what they are because that's how we made them.
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I think the avant-garde often hides itself in the highly incomprehensible because they are frustrated that the real world is so boring.