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I'm always a little innately shy when I first talk to a girl, and I think I always will be! But I think that's a good thing. You don't want to lose that.
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To me, the 'Maze Runner' fans have been so supportive of everything I have done.
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I never have an opinion about clothes and know nothing about fashion.
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I haven't worked with a director who is a crazy person at all.
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Part of growing up is realizing you learn to love so many people. It's about forming those relationships and finding what will last forever.
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I'm still on the ground, so I just do my thing.
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I really try to live my life a little more, in ways I would hold back from previously.
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If I did want to get a girl's attention, it would just be in some way where I would just start talking to her. It would have to feel organic. It's too weird otherwise.
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When I was 17, I was about 5'6''.
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I just really like fun, cool, interesting, quirky girls. And sometimes you find that in 6'2 model bodies and sometimes they're short and brunette. All shapes and sizes - it's really about the personality. That sounds cliche, but it's so freaking true!
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You don't disrupt genius at work.
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Just going out and seeing friends, not being cooped up in my house because I don't want to get my picture taken or anything like that - I've tried to let go of that stuff a bit, accept that it's going to happen to me, and not let it prevent me from doing anything I want to do, which I have in the past.
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As an actor, you blindly put your trust in experts - and if they tell you something's safe, you don't fully vet it yourself. If you're young and inexperienced, that's just what you're taught to do.
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'Teen Wolf' ending is, like, huge. I know no acting without the show, basically.
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If you're proud of something, and if you're proud of your work at the end of the day, the experience, walking away, you can feel good about it; that's what you have to focus on.
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I'm very shy. I wish more people believed me when I say that.
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I want to work with filmmakers who are really smart.
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I just want to work with good filmmakers and do good projects that mean something to me and play interesting characters. That's really it.
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You always have the nightmare of, you know, working with the guy that you've just admired forever, and then he's just totally disengaged and awful to be around.
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Sometimes I'd literally show up at the gym having a panic attack, and my trainer would be like, 'All right, let's just go get breakfast.' I can't give enough credit to him... he was really there for me, and not just like a trainer where it's like, 'Well, come on, man, I gotta pump you up.' He cared more about my mind and the state that I was in.
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I just happened to step into acting. And now I can't imagine myself doing anything else.
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If you have a good thing going behind the scenes, you'll have a good thing going on-screen.
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Stiles is a version of me that rarely exists in the real world. He's so confident and extroverted, and I'm much more restrained and internal.
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I think there's something to be said about pacing yourself.