Laura Slade Wiggins Quotes
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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If I really believe that visual representation and narrative are ways to convey important, complex ideas, and if the world is gravitating toward this form, then geez, I better do it myself. I want to do it myself.
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In the first instance, therefore, global terrorism created a kind of global community sharing a common fate, something we had previously considered impossible.
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I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I've got nothing very original to say myself.
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I put pressure on myself all the time. I felt it so much with 'Sax,' but I had to just let go and enjoy it.
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I allow myself to fail. I allow myself to break. I'm not afraid of my flaws.
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FOR a long time the conviction has been dimly felt in the community that, without prejudice to existing institutions, the legal day of weekly rest might be employed to advantage for purposes affecting the general good.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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I was doing community theater since I was about nine.
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I see myself traveling; I see myself with a much bigger living space than I do have right now. I see myself hopefully on a tour bus at some point.
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Every story I create, creates me. I write to create myself.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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I was a Labour Party man but I found myself to the left of the Labour party in Nelson, militant as that was. I came to London and in a few months I was a Trotskyist.
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I was in a mountain biking accident and broke my sternum about three months before my unit was supposed to deploy to Iraq, and it's such a close-knit community that the idea of not getting to go is hugely jarring, so I tried to get put back in training and wound up injuring it worse.
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In 1994, after four years of talking about travel on my first show, I realized I knew so little about the world - I knew so little about myself. I decided to quit my job and pursue a postgraduate degree in New York.
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When I have the urge to get back to coaching, I lie down and wait until it passes.
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I never played inside as a kid - even in the rain I'd go out.
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Besides that, I felt guilty. I thought for some reason... I was alive, and Buddy and those boys were dead, and I didn't know how, but somehow I'd caused it.
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It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not.
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Times change, and we change with them.
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I did community theater in Georgia and called myself a ballet dancer.
