Martin Filler Quotes
Architectural kitsch is most common in the commercial pop vernacular - typified by the Big Duck of 1931 in Flanders, New York, a Long Island roadside poultry stand resembling a duck, which Venturi and Scott Brown made a cult object through their writings.
Quotes to Explore
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I identify with the Clint Eastwoods and Harrison Fords. Those are my heroes.
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My time at Shell was a most valuable experience because it taught me to look at the world in a long-term way. Shell takes a 20-year view on events and plans for different scenarios. It makes you see the world as a kind of large matrix.
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I don't think the 9/11 attacks taught us anything we didn't already know about religion. It has long been obvious - even to the deeply religious - that religious fanaticism is an extremely dangerous deranger of otherwise sane and goodhearted people.
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Standing as I do, with my hand upon this staff, and under the folds of the American flag, I ask you to stand by me so long as I stand by it.
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It is high time that the Palestinian people restore their freedom and independence. It is high time that the decades, the long decades of suffering and pain would stop.
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I've dreamed of being on the road, traveling and touring, for as long as I've been into doing music. It's what I live for. I just wanna be Willie Nelson.
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I have long admired Univision - a pioneer in the industry - and recognized the tremendous potential and influence of the burgeoning U.S. Hispanic population.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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I have often wondered what it is an old building can do to you when you happen to know a little about things that went on long ago in that building.
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Life is one long jubilee.
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So many people try to grow up too fast, and it's not fun! You should stay a kid as long as possible!
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As long as I can remember, growing up we had a guitar around our house, and I was always plucking on it.
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In waking a tiger, use a long stick.
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The reason that I'm here at all is because of my relationship with my family and their encouragement of me to be a musician and to work hard. As long as I stay there in that space, I can do anything. That's my truth.
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As long as there is no proselytism... we must facilitate the partnership between parents and schools.
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These days, children can text on their cell phone all night long, and no one else is seeing that phone. You don't know who is calling that child.
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Slater's a big star and he's been in the business a long time. He's always in a good mood and easygoing but he takes his character very seriously.
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There's work for everybody, and I believe every actor gets what he/she deserves. Honestly, I just want to work as long as I can and do great films and act with every good actor around.
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Ultimately, a running back has to get rid of tacklers without his blockers being a part of it.
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As an actor, you are always waiting for someone else to be able to tell you when it's okay to work, and as a writer, you can just pick up your computer and start whenever you want. That is really freeing.
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I started thinking about this truck and why do I still have this same truck? After all of these years, why am I holding on to that? I just starting thinking about other things: guitars, boots and jeans. I just had a tendency to hold on to the things that have meaning to me.
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I have written to Israel's friends around the world, including the U.S. Congress and the E.U., and asked them to make funding for the United Nations dependent on ending blatant discrimination against Israel at the U.N. Human Rights Council.
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[Writing] books is really fun because your "voice" is pretty undiluted. There is a very direct connection between yourself and your audience. You will have an editor, but their job is to help you clarify or improve your voice, not change it.
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Architectural kitsch is most common in the commercial pop vernacular - typified by the Big Duck of 1931 in Flanders, New York, a Long Island roadside poultry stand resembling a duck, which Venturi and Scott Brown made a cult object through their writings.
