Martin Filler Quotes
The first half of the 1960s was the apogee of what might be termed the Age of Cool - as defined by that quality of being simultaneously with-it and disengaged, in control but nonchalant, knowing but ironically self-aware, and above all inscrutably undemonstrative.
Quotes to Explore
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I breeze through Twitter - I look at the mentions, the pictures, the videos.
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Our goal is not simply to reconstruct the Japan that existed before March 11, 2011, but to build a new Japan. We are determined to overcome this historic challenge.
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I kind of wanna be pro basketball, pro skateboarder.
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Acting is the most insecure profession in the world - you're insecure if you're successful, you're insecure if you're not. A tightrope walk without a net. It's a miracle I'm still standing!
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I don't pick and choose subjects or settings; they pick and choose me.
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I don't weigh into politics.
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If you respect a language and culture, it shows in your work.
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Geek and Sundry has an eclectic line-up of shows all targeted around things I love: Comics, Tabletop Games, Books and more.
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Japan is the largest creditor country in the world, so we have made contributions to the stability of international markets and we want this IMF meeting to confirm that we will continue to contribute.
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I see myself as extremely lucky.
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I think the Supreme Court has not yet caught up to an era in which one keeps one's papers in a cloud, not a castle.
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If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. You must reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.
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All men dream, but not equally. Those who dream by night in the dusty recesses of their minds, wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act on their dreams with open eyes, to make them possible.
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I think that has been a benefit to me because I think most people understand quilts and not a lot of people understand paintings. But yet they're looking at one.
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You go to drama school, and the people you revere and admire are those who work on the London stage, and you hope that's a world that you'll be able to break into and do enough occasional television and small film work to eventually get to the point where you're paying the bills.
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Every European goes on the streets and sees medieval churches. Not if you live in Indianapolis. The most exciting letters I received were from people in places like that.
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Being Irish was a big thing for me, particularly growing up in Chicago.
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Every day, turn off your phone/email for some part of the day.
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I didn't stutter when I was reading lines in a script. When I got away from myself, I didn't have that problem.
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The Ford Flex is a really, really cool car. You get inside and you have so much headroom and it's really comfortable to drive and it's real techy inside. You look at the screen and it's blue and you've got all kinds of controls. Everything is digital.
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There are heads of royal families who control hereditary fortunes that defy comprehension.
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There was always a piano in the house when I was growing up - my dad played, and I thought it was cool - and when I was eight, I begged my parents to let me have lessons. After a couple of weeks, I wanted to give up, but my parents were very focused and made me keep going, which I'm very pleased about now.
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The first half of the 1960s was the apogee of what might be termed the Age of Cool - as defined by that quality of being simultaneously with-it and disengaged, in control but nonchalant, knowing but ironically self-aware, and above all inscrutably undemonstrative.
