Emily Oster Quotes
Quotes to Explore
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We must continue building in all corners of the Land of Israel, with determination and without being confused.
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My father insisted that I and my sisters not be indoctrinated into any religion at any age.
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Number 4 should have been number 1. Thanks, Honey.
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If I had the choice between smoked salmon and tinned salmon, I'd have it tinned. With vinegar.
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In the experience of art, time seems not to exist.
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I think violence can never be justified.
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I think one problem we've had is that people who are smart and creative and innovative as engineers went into financial engineering.
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You shouldn't try to manufacture progress.
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To do a really good interview, you have to be truly interested in the person.
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I live with my mum and my nan. I think I will leave eventually, but not at the moment when they look after me so well. If you came to my house, they'd make you eat something.
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My mother was against me being an artist. She just wanted me to marry a rich man.
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Stupidly it should not be. It should be also nice. One must get along with that. Is however not necessary.
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The lack of a consistent policy from major economies is the main source of volatility.
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Only through loving and supporting one another, even in the face of unbearable pain and suffering, will this cycle of violence end.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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I don't know if I would call myself a religious human.
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The future rewards those who press on. I don't have time to feel sorry for myself. I don't have time to complain. I'm going to press on.
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The poverty program was not designed to eliminate poverty.
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I've been extremely lucky in that I've been a very successful model for a long time. So now I'm an actress and a mother. I'm a theatre rat, which I always wanted to be - I've wanted to act since I was 14 - and I never get bored, ever, and I have four beautiful children. I am, in fact, so darn lucky.
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I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
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In my twenties and early thirties, I wrote three novels, but beginning in my late thirties, I wearied of the mechanics of fiction writing, got interested in collage nonfiction, and have been writing literary collage ever since.
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The product of movement and counter-movement is tension. When tension - working strength - is expressed, it endows the work of art with the living effect of coordinated, though opposing, forces.
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There's a strange sort of quiet when you're dying. It's as if you're in a glass room, and the walls keep getting thicker and thicker.
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You work hard for your income, and that hard work is what fuels the economy.
