Martin Gore Quotes
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There are Depeche Mode parties around the world where people listen to our music all night long. The more remixes we can give them, the more interesting those nights have got to be.
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Our music over the years has been very cinematic. It's surprising we never really got into film soundtracks.
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As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.
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I lead two totally separate lives. There are times when I have to slip into rock star mode.
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I loathe the idea of going onstage in a T-shirt and jeans.
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People are People still gets played to death on '80s stations. It was our first big break in America. It's not exactly my favorite song.
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I do a cover of a Velvet Underground song, and they were one of the most important bands, for me.
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There's something insane about this business - about the cycle of making albums and going on tour to promote them.
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I started getting back into buying old analog gear while we were recording. Lots of old drum machines and synths. It wasn't a conscious thing. I didn't consider myself a collector, but boxes of vintage gear would turn up virtually every day.
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I sit down and create atmospheres, start playing guitar or piano and just sing whatever comes out of my mouth.
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I don't think I've ever tried to be anything other than a weirdo.
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I don't know if it's cool to say this anymore, but I grew up listening to Gary Glitter. A majority of his songs were in that shuffle-blues beat, and I think that's probably why I tend to write like that.
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When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.
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If you go into the eastern bloc countries we are huge, and in Russia. Maybe there is something about the depressing nature of our music and lyrics that some people find an affinity with.
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All of my kids are into music. My older daughter plays guitar, piano, sings. My young son, he sings.
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When you first sit down to write the first song, until you've maybe got three or four under your belt, it's always, to me, like a mountain to climb. You look at that one blank piece of paper and you think, `God, how many songs do I have to write here?' It always feels like pressure.
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I find it odd seeing a DJ playing to huge audiences. I know that people have been doing it for a while, but the fact that it's been embraced so much in America now and it's become like this new, big thing, I find it slightly odd.
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Songwriting is a mysterious art. When I sit down to write a song, the end result should be mysterious and have this dark quality.
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It creates a conflict of interest - what songs would I use for me, and what would I use for the band.
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I even have nephews who make music, my daughter makes music. I don't know what advice to give them these days. It's really a tough industry to break into.
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I live in Santa Barbara. My wife's American, and she lived in England for 11 years and then told me she'd had enough.
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God knows why - no pun intended - but every time I write a song, I feel a need to touch on religion.
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I was born with the wrong sign In the wrong house With the wrong ascendancy I took the wrong road That led to The wrong tendencies I was in the wrong place At the wrong time For the wrong reason And the wrong rhyme On the wrong day Of the wrong week Used the wrong method With the wrong technique Wrong Wrong.
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There haven't been many credible electronic covers records.