Emily V. Gordon Quotes
I remember being a teenager and feeling like I could talk to anyone anywhere about anything.
Quotes to Explore
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Remember that the most valuable antiques are dear old friends.
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You rarely get satisfaction sitting in an easy chair. If you work in a garden on the other hand, and it yields beautiful tomatoes, that's a good feeling.
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I probably remember the 1954 Masters more vividly than any of the others.
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I read books. Remember those? I read them, on paper.
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Emotions come first, and in the most direct sense: you first have an emotion and then have a feeling. But also first in the history of the human race, for the ability to have emotions long preceded the ability to have feelings.
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I'm the first to admit that the resolution of a hand feeling the belly doesn't compare with the resolution of a CAT scan scanning the belly, but only my hand can say that it hurts at this spot and not at this spot. Only my hand can say that.
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When you write as a woman, there's this feeling there's going to be a softness.
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Surround yourself with people who provide you with support and love and remember to give back as much as you can in return.
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I remember I heard it in an interview with Michael Jackson one day, saying the art is gone, everybody makes records just to make a record. See, I always want the artist that try to build a whole body of music on one album, so you can enjoy it. So you could say, 'I went with him here, I went with him here.'
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I was a teenager with braces and into sporty dresses with bright colors and cut-outs. For awhile, I really experimented with what I wanted to do. Some really extreme things, I recall.
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In fact, you couldn't give me anything to make me go back to being a teenager. Never. No, I hated it.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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I remember as a kid watching one of the Olympic games, and I was cheering for a big track athlete. He was the favorite to win, and he lost. I realized in that moment the pain he felt was so much greater than the pain that those who never thought they were going to win would have felt had they lost.
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Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.
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You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.
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Lately I've been feeling like 50 percent of the great content I read comes from Twitter conversations.
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I'm just the second Bodhi. I think there will be more. I have the feeling this is only the first re-imagination of 'Point Break'.
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There's a market for mysteries for adults. That feeling of opening a book and delving inside and not coming out until you've closed the book.
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Great literature rattles the mind and makes the body sing. It's an unmistakable, electric feeling, and too rare. That is what I want.
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Training a horse is above all feeling and trying, according to what you feel, to help the horse and not to force him.
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There are two miracles in Canadian history. The first is the survival of French Canada, and the second is the survival of Canada.
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Both songs are really, really intense when it comes to performing them, and very draining at the same time.
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Most of the stuff that people look at on Quora today was not written in the last month. You write something really good, and maybe it's the definitive answer on the Internet for the next 10 years. Maybe it's only a year, but not like a tweet, where it's only relevant for a day or a week.
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I remember being a teenager and feeling like I could talk to anyone anywhere about anything.
