Debra Granik Quotes
I'm reaching for emotion and drama, the drama of the everyday: what happens when you don't have shelter, food, and clothing. There are some stakes. If you're displaced or evicted, there's a suspense: How will you solve that?
Quotes to Explore
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I enjoy getting gussied up for an event or date night.
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In America, unlike England, unlike Israel, unlike Japan, other democracies, we have elections that have staggered terms.
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I use other cookbooks for inspiration. I must say I tend to cook from my own cookbooks for parties.
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There are a lot of mindless moments in my tunes.
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It is common knowledge that smoking is considered one of the nation's leading causes of preventable death, but it's less widely known that cigarettes are also the leading cause of fatal fires.
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The older I get the more of my mother I see in myself.
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I want to have a long career.
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If I like a book, I tend to read the author's entire collection. But I choose mainly through personal recommendations, general word of mouth and book reviews.
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In real life, coincidences happen all the time. In novels, they are leapt upon with fury.
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We are all afraid for our confidence, for the future, for the world. That is the nature of the human imagination. Yet every man, every civilization, has gone forward because of its engagement with what it has set itself to do.
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I'd love to return to theater.
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All Hollywood corrupts; and absolute Hollywood corrupts absolutely.
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The biggest difference between L.A. and Edmonton was that instead of people looking at me I was looking at them.
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I beg you, don't use the verb, 'discover', I hate it. What does it mean, that I didn't exist before?
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It's very special having a new little girl.
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You hesitate to stab me with a word, and know not - silence is the sharper sword.
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The challenge of a cathedral is very good for architectural inventiveness.
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Christmas cookies can't help but be retro - they are memory first, sugar-flour-egg-redhot-gumdrop-sparkle reality second.
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Whenever one writes a book one should have a notional reader in mind.
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I put out records to this day that are not necessarily in a sequence of anything. Some could be written a while back, some not. There is no set pattern.
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When I was growing up, I actually went through, in New York City, blackouts when we had to close the windows and worry about air raids. I don't know whether or not those were realistic worries or not, but as a kid, when we all had to run around pulling down the drapes and turning the lights off; it was a very frightening experience.
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I had a lot of conversations with my family, my close friends, with my pastor, with God, and kind of came to a revelation that maybe I should be honest with myself about who I am and let that person - this woman who has lived inside me for my entire life - finally have an opportunity to live.
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In all my novels, I deal with the many problems and prejudices which exist for Black people in Britain today.
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I'm reaching for emotion and drama, the drama of the everyday: what happens when you don't have shelter, food, and clothing. There are some stakes. If you're displaced or evicted, there's a suspense: How will you solve that?
