Debra Granik Quotes
Some of the subject matters that I like to make stories about are definitely not inherently commercial. So I have to look for a very special kind of financing and go down a very gentle path in order to make my films, as do basically all social-realist filmmakers. It's a long process.
Quotes to Explore
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When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.
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TV is like a school. It is easy to shoot for a film. In movies, you have a definite start and end. You know your character is there for a particular period.
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Because of our social circumstances, male and female are really two cultures and their life experiences are utterly different.
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It doesn't matter if you don't have a complete set of anything because repetition creates pattern, repetition creates pattern, repetition creates pattern.
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I have been known to hang out and party back in the day. I had a weekend that lasted a few years.
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I'm a very driven, ambitious, positive person. But I'm a spiritual person as well.
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I'd like to work with Bjork if I could get in the studio with her. We could probably travel to a different planet, you know what I'm saying?
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Modeling is basically 'Buy more stuff! Don't you want some more stuff? It will make you look ten years younger and men will like you!' If I'd wanted to be a salesperson, I would have got a job selling.
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I went to a girls' school, and it was awful. The combination of my teenage anger and their jealousy meant I was always getting into fights. There was a lot of pulling of hair and scratching of faces and rolling around on the floor.
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'Smart', in American usage, is slicker and sharper than 'intelligent'; faster off the mark and quicker on its feet than deep thought.
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It seems to me there is a change in what audiences want to see. I can only hope that's correct, because there's an awful lot of people of my age around now and we outnumber the others.
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Cultures are never merely intellectual constructs. They take form through the collective intelligence and memory, through a commonly held psychology and emotions, through spiritual and artistic communion.
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Each one of my budgets has taken a meat axe to foreign aid, because I think we ought to quit sending it to countries that hate us.
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I like movies that are specific. Movies that home in on a very specific subculture, a specific discipline, a specific world.
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Where there is politics or economics, there is no morality.
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Chess is a lot of fun for me. Football is a physical game, and in chess you can just beat someone mentally - you outwit somebody, outmaneuver them, think ahead of them.
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When I first found out I had HIV, I had to find somebody who was living with it, who could help me understand my journey and what I was going to have to deal with day-to-day. I found out that a person named Elizabeth Frazier was living with AIDS at the time, and so I called her up, and she took a meeting with me.
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When you start to become a movie star it's easy to believe that you are Superman. That can fool you. That's why I prefer not to pay much attention to fame.
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If a work of art is rich and vital and complete, those who have artistic instincts will see its beauty, and those to whom ethics appeal more strongly than aesthetics will see its moral lesson. It will fill the cowardly with terror, and the unclean will see in it their own shame.
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I worked as a carpenter for a few years. I began writing. I wrote a book about my time in Africa - that came out in 1988 - called 'The Village of Waiting.'
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I'm a mum, so my wardrobe consists of sweaters and jeans. As long as I don't leave the house forgetting my jeans, I count that as a fashion success.
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Long ago, he had made that choice between work and life that can seldom be avoided at the highest levels of human endeavor … Any fool could shuffle genes, and most did. But whether or not history gave him credit, few men could have achieved what he had done - and was about to do.
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Some of the subject matters that I like to make stories about are definitely not inherently commercial. So I have to look for a very special kind of financing and go down a very gentle path in order to make my films, as do basically all social-realist filmmakers. It's a long process.
