Debra Granik Quotes
Some of the subject matters that I like to make stories about are definitely not inherently commercial. So I have to look for a very special kind of financing and go down a very gentle path in order to make my films, as do basically all social-realist filmmakers. It's a long process.

Quotes to Explore
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When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.
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TV is like a school. It is easy to shoot for a film. In movies, you have a definite start and end. You know your character is there for a particular period.
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Because of our social circumstances, male and female are really two cultures and their life experiences are utterly different.
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It doesn't matter if you don't have a complete set of anything because repetition creates pattern, repetition creates pattern, repetition creates pattern.
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I have been known to hang out and party back in the day. I had a weekend that lasted a few years.
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I'm a very driven, ambitious, positive person. But I'm a spiritual person as well.
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I'd like to work with Bjork if I could get in the studio with her. We could probably travel to a different planet, you know what I'm saying?
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Modeling is basically 'Buy more stuff! Don't you want some more stuff? It will make you look ten years younger and men will like you!' If I'd wanted to be a salesperson, I would have got a job selling.
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I went to a girls' school, and it was awful. The combination of my teenage anger and their jealousy meant I was always getting into fights. There was a lot of pulling of hair and scratching of faces and rolling around on the floor.
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'Smart', in American usage, is slicker and sharper than 'intelligent'; faster off the mark and quicker on its feet than deep thought.
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Every year we celebrate the holy season of Advent, O God. Every year we pray those beautiful prayers of longing and waiting, and sing those lovely songs of hope and promise.
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It seems to me there is a change in what audiences want to see. I can only hope that's correct, because there's an awful lot of people of my age around now and we outnumber the others.
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Cultures are never merely intellectual constructs. They take form through the collective intelligence and memory, through a commonly held psychology and emotions, through spiritual and artistic communion.
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Each one of my budgets has taken a meat axe to foreign aid, because I think we ought to quit sending it to countries that hate us.
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I like movies that are specific. Movies that home in on a very specific subculture, a specific discipline, a specific world.
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Where there is politics or economics, there is no morality.
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Chess is a lot of fun for me. Football is a physical game, and in chess you can just beat someone mentally - you outwit somebody, outmaneuver them, think ahead of them.
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There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
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the streams buck like rams in a tentwhips crack and from the hills come the crookedly combedshadows of the shepherds.black eggs and fools' bells fall from the trees.thunder drums and kettledrums beat upon the ears of the donkeys.wings brush against flowers.fountains spring up in the eyes of the wild boar.
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The house of Austria has publicly used every effort to deprive the country of its legitimate Independence and Constitution, designing to reduce it to a level with the other provinces long since deprived of all freedom, and to unite all in a common sink of slavery.
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Just reskinning games with our intellectual property is not an appealing prospect for opportunity. That isn't something that creates long-term value for shareholders.
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If there's anybody that's got better long-ball reaction than that guy -- he turned around and snatched that thing from I don't know where.
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Some of the subject matters that I like to make stories about are definitely not inherently commercial. So I have to look for a very special kind of financing and go down a very gentle path in order to make my films, as do basically all social-realist filmmakers. It's a long process.