E. Stanley Jones Quotes
Quotes to Explore
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I went through a phase when I was 13 where I would only fall in love with people over the age of 19 or 20. I never had a real relationship with any of these people, but it was definitely the guy I wanted to hang out with and wanted to go on trips with. I would be like, 'But, Daddy, he's a musician!'.
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People that are orthodox when they are young are in danger of being middle-aged all their lives.
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The real debate is, when does life begin? When life begins, it deserves protection.
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Having companies like PotashCorp based in Saskatoon or Cameco based in Saskatoon that have worldwide presence but have the head office jobs, the head office managers and head office employees in your local economy are important from a job creation and wealth creation point of view.
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Waste Management was based in Chicago, but I lived in Ft. Lauderdale and for 10 years had to commute to work - catch the 5 P.M. Sunday flight to Chicago and the midnight return flight on Friday.
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In the '80s the band was 24/7. You were only as good as what you were producing at any given moment. Now my family is more important. I also think having the shock of your mum and dad dying humbles you slightly.
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Each dress symbolizes the age that it's appropriate for.
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Acting is exciting. It is different every time you do it.
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The true character of ministry is a servants heart.
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Once upon a midnight dreary, while I pondered weak and weary.
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I always loved advertising. If I hadn't been in fashion, I'd have been in advertising.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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For almost a century since 1918, the centralised nation-state has been the world's default political form. Its various experiments in industrialisation, urbanisation, mass literacy and consumerism have brought more people into public life.
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In all the areas within which the spiritual life of humanity is at work, the historical epoch wherein fate has placed us is an epoch of stupendous happenings.
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I feel quite safe and isolated in Germany. My wife is very well known there. But I am only looked at when I am holding her hand.
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A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
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I have no ties to my dad. I had no communications with him; it didn't shape who I am or anything like that. I'm actually a product of my mom.
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That image is a couple different people's homes that I knew growing up.
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I just didn't want to walk away from football without knowing what it meant to be a manager, or even wondering what it was like to be sacked.
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Our most important aim is to develop definite personalities in our cartoon characters. We don't want them to be just shadows, for merely as moving figures they provoke no emotional response from the public. We invest them with life a caricature of life.
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I have so often been asked the question: "But how did you come to think of The Scarlet Pimpernel?" And my answer has always been: "It was God's will that I should." And to you moderns, who perhaps do not believe as I do, I will say, "In the chain of my life, there were so many links, all of which tended towards bringing me to the fulfillment of my destiny."
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Especially for young POC, when we enter majority-white spaces, we feel the need to assimilate, to blend in, to prove ourselves. I don't think we discuss it enough.
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Life is supplied with a basic adequacy.
