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You can have immediate regrets, but if you look at stuff and say, 'Things happen for a reason', there's a fatalistic thing about it. Something will happen that will justify it in some way.
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The real good comedians, like Chaplin, would make you laugh and a second later, cry.
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Actors need to trust themselves. If you trust yourself, you can trust others and leave the director outside.
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My father was an Austrian, and he brought some Torahs over to this country, ancient Torahs that were slipped out of Germany.
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A lot of the time with an independent production, you go onto the set, and you rehearse it in front of the crew, and at that point, the cinematographer takes over. You start accommodating the camera instead of the camera accommodating you.
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I like a character that is still alive and is necessarily thinking, and either grows or diminishes or whatever.
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I did a picture called 'Lovely, Still' with Ellen Burstyn, We screened it to the AARP people in Las Vegas, 2000 of them. We got a standing ovation from people who couldn't stand.
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They made a fatal mistake in doing 'Psycho' again. Why do that? Why revisit something that stands for itself?
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The Italian tough guys, dey talk real deep like dis down in dere chests... while the Irish speak way high-ah, up here in their heads.
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I'm very proud of Space 1999. Its success paved the way for other sci-fi shows to follow. My hope is that the DVD release will help it reach a new generation of fans.
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I trained as an actor with Lee Strasberg, Elia Kazan, and Harold Clurman, and those guys set a very high bar.
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I played a wide variety of roles.
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People think I'm a very serious actor, which I am. But you know, if you don't have a sense of humor doing what I do, you perish.
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I'm a big believer that an actor should be able to pick up any piece of material and act it, the way a good musician can.
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You have to be crazy to do theater.
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A film is not going to change the world. But if it can do that to individuals on an individual level, I think it's a magnificent movie.
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I did theatrical caricatures.
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Of course, I remember the Disney 'Pinocchio.' I was a little kid then... It was very instructive. Little boys who don't behave wind up in lots of trouble.
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As a Jew, there's a need to keep that atrocity alive. There were Catholics and gypsies and homosexuals who died in the Holocaust, too. It's amazing that people allowed this slaughter to take place. There's a need to make these films and reiterate it happened.
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I think we've all done things we're not particularly fond of. Everybody goes through it and comes out the other end, and goes on with his life as if it didn't happen.
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I studied with Strasberg, Elia Kazan. They raised the bar. They weren't easy to please, and they made you achieve the best you could do. That's what a teacher does: he infuses you with passion for something.
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Subliminally, I had always wanted to act. Although I had only performed in a couple of plays, I was serious about it and was subsequently trained by people like Lee Strasberg and Elia Kazan.
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I was offered the Gene Hackman role in 'The Poseidon Adventure' four times, and I turned it down four times. I didn't want to do that movie. I called it the upside down boat.
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How a character hides his feelings tells us something about him.