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You can catch me in whatever's funky, whatever's got that swag. If it's got that swag, I'm putting it on.
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Even the diss tracks was enhancing 'Panda.'
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When people are like, 'Why are these white people walking around this black hood?' I'm like, 'Why aren't they?' If it ain't bothering nobody, they can do whatever they want! They're in the hood to make it better.
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I can't step outside my house now - everybody knows my face.
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Me and Kanye work awesome together. He's a creative man, I'm a creative man, we put our ideas together, it's like the perfect formula.
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I went from selling everything to saying, 'I ain't gonna sell that. Can't do it.' It wasn't working for me, so I was just like, 'Yo, I'm going to sell my talent.'
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'XXL,' they call me a freshman, but I'm a pro. So, this a platform to let people know I'm out here.
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Music always lived with me, like a family tradition.
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I was the singing boy in school.
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Before 'Panda,' I had a buzz already.
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I never had a job. I never saw myself working for corporate business.
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Choirs, auditions, talent shows, I was doing it all.
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I'm here to actually deliver art and deliver the creation, you know, wherever the music brings somebody.
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I came from the projects. So there were times I'd wake up at night, and my palms would be itching to get out. But no matter where I was, I always looked at the stars, because there's nothing ugly about the sky. That was my escape.