Bob Colacello Quotes
I took photos from 1976 to when I left in 1993, primarily for Interview and a column I had called "Bob Colacello's Out" which Andy had conceived of. I've never taken a picture since, not even with my phone! It just felt too Andy Warhol to keep going around town taking photographs. And I never really thought of doing anything with them after I left the magazine until this great Art Director Sam Shahid about for or five years ago asked where all of the old photos were.
Quotes to Explore
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I don't really like to work with actors that work a lot and are very well established already. In a way, I like to nurture talent and have it burst on the scene.
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God grant you the strength to fight off the temptations of surrender.
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I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.
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Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.
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The hardest thing in the world to do is to have someone in a seat in a theater laughing so hard that they're making weird sounds.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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Science and religion are the two most powerful forces in the world. Having them at odds... is not productive.
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The confidence and respect shown by my countrymen in calling me to be the Chief Magistrate of a Republic holding a high rank among the nations of the earth have inspired me with feelings of the most profound gratitude.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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'The Old Social Classes and the Revolutionary Movement in Iraq,' by Hanna Batatu. Few may wish to take on this massive, obscure work, but it changed my life, and I love it.
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I feel like, as a celebrity, I have a responsibility to tell important stories.
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I used to think drinking was the only way to be happy. Now I know there is no way to be happy.
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I've always had tremendous support from my parents. I think there's a myth that gay people have lousy relationships with their parents.
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The problem with independent films is that they can be hit or miss. I've seen scripts that have blown me away. But there have to be all the right ingredients in place to make them work: the director, cast, publicity, distribution.
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There is small risk a general will be regarded with contempt by those he leads, if, whatever he may have to preach, he shows himself best able to perform.
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Could I interrupt here, because there is an alternative explanation, which you are particularly well placed to examine. You know the argument that it is the alchemists in the laboratories who invent the sweet new kits.
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Further, there are things of which the mind understands one part, but remains ignorant of the other; and when man is able to comprehend certain things, it does not follow that he must be able to comprehend everything.
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We should keep on going along the path of globalization. Globalization is good... when trade stops, war comes.
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Christians... get Christmas under control. Seriously. It won't stop! It doesn't stop, does it? It's always Christmas now! Make it the whole year! It's the only time you pricks are happy!
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The key ingredient of politics is the idea that all of society's ills can be cured politically. It's like a cookbook where the recipe for everything is to fry it. The fruit cocktail is fried.
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But hitting is so crazy. You feel great today and get three hits. And the next day you show up and it's, 'What happened to my mechanics? Where's my swing?' Sometimes I even Google it and the search comes up with no results.
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People say 'Why would you learn Dutch? Nobody speaks it. Why not French?' Even the Dutch say that to me! I say because I want to live here, I think it's only common courtesy that I speak the language.
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I took photos from 1976 to when I left in 1993, primarily for Interview and a column I had called "Bob Colacello's Out" which Andy had conceived of. I've never taken a picture since, not even with my phone! It just felt too Andy Warhol to keep going around town taking photographs. And I never really thought of doing anything with them after I left the magazine until this great Art Director Sam Shahid about for or five years ago asked where all of the old photos were.
