Dido Armstrong Quotes
Looking back, I think that's why I did music. I'd get home from school and the house would be so quiet.
Quotes to Explore
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I brought several national projects to Katihar.
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Tone can be as important as text.
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This is the people's money, and we need to use it on their priorities. Increasing the pay of members of Congress is not their priority.
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Instead of building walls, we should be building bridges.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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Just as we might take Darwin as an example of the normal extraverted thinking type, the normal introverted thinking type could be represented by Kant. The one speaks with facts, the other relies on the subjective factor. Darwin ranges over the wide field of objective reality, Kant restricts himself to a critique of knowledge.
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I like the dark undertow of grime, and it gets me aggressive. You need that aggression.
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I wrote my novel 'Bitter Greens' as the creative component of a Doctorate of Creative Arts and am now looking at the history of the Rapunzel tale as my theoretical component.
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You cannot reduce the power of story with the tag of money because it's not a share market. So you must know the seriousness of the power of storytelling.
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My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.
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As goes California, so goes the rest of the nation.
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I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
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We are all terminal.
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Because the GIs were sent massively to South Vietnam, maybe it's a good idea to have a broadcast for them.
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I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
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Healthy discontent is the prelude to progress.
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People ask if success changes one overnight. I am just doing my job, and I worked way too hard to get here. I didn't get it easy.
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The interpretation of our reality through patterns not our own, serves only to make us ever more unknown, ever less free, ever more solitary.
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Where consumption is both conspicuous and competitive, humanity will never run out of new wishes. All the while, industry creates new desires that are marketed, in the great fashion paradox, as both novelty and need.
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I needed something to challenge myself a little more. I found fighting, and it completely fit my personality.
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I'm a Georgia guy; we can run.
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Looking back, I think that's why I did music. I'd get home from school and the house would be so quiet.
