Diego Maradona Quotes
Quotes to Explore
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Memory is a complicated thing, a relative to truth, but not its twin.
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If I categorized home runs that I've seen, without a doubt the monumental one is Henry's... but I've seen a lot of classic, great home runs. Gibson's was probably the most theatrical home run I've ever seen.
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We did a remake of Lost in Space. Filmed it in London for four months.
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I can tell you I'm not exactly sure why I teach. I think a lot of it is just it's the sense of community. A real desire to be involved both with people older than myself and people younger.
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I cannot go to Montreal without going to Beauty's, my favorite place for breakfast, where I have the Mish-Mash omelet with hot dogs, salami, eggs, green peppers, and onions, and the best banana bread in the world. It's legendary!
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When you fall in love, you become weak.
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The fact that Western Muslims are free means that they can have enormous impact. But it would be wrong to claim that we are imposing our ways on the West. New ideas are now coming from the West. To be traditional is not so much a question of protecting ourselves as to be traditionalist in principle.
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I did every job under the sun from bartending to ushering to temping.
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Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.
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America is a poem in our eyes; its ample geography dazzles the imagination, and it will not wait long for metres.
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Circumstances are the rulers of the weak; they are but the instruments of the wise.
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There are epic downsides to living a somewhat public life. The upshot of that is there's nothing to hide. It's a relief in a way. There's nothing about me that can't be said.
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You can be lonely when you have a guy living with you.
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People who drive Jeeps are people who like to do outdoor activities.
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I never intended for the Monster Ball to be a religious experience, it just became one.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Always and never are two words you should always remember never to use.
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There's really no point in having children if you're not going to be home enough to father them.
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You cannot force a country to do something that is against its own interests or against the democratic process.
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The great thing about irony is that it splits things apart, gets up above them so we can see the flaws and hypocrisies and duplicates.
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I mark the reading of 'Look Homeward, Angel' as one of the pivotal events of my life. It starts off with the single greatest, knock-your-socks-off first page I have ever come across in my careful reading of world literature.
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When I'm on stage, it's a little world I've created where I'm sort of the thing, so I have total control over everything that happens. When we're improvising, I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.
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To see the ball, to run after it, makes me the happiest man in the world.
