Paul Weller Quotes
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I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
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I've bought clothes based on record covers. Particularly from the formative music that turned me onto it in the first place when I was a kid, with the Beatles and the Small Faces. A lot of those Sixties soul artists were in really sharp sharkskin or mohair suits, and Motown artists looked amazing.
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I kept the first Rickenbacker I ever got, a little short-scale John Lennon-type model. And I've got a couple of 12-string models, which are really nice, and I've got a Pete Townshend model, which Pete gave me a few years ago. But that's about it.
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I had a total belief in The Style Council. I meant every word and felt every action.
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It's quite liberating to get to a certain age, 'cos you're not chasing number one hits or trying to be an international superstar. I've done all that. I'm not out to prove much more to anyone but myself really, to be an artist and see if there is a new undiscovered music out there for me to make.
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I play out my role, I've even been out walking -They tell me that it helps, but I know when I'm beaten...
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I think people are just really disappointed, disappointed with Blair as well, who's just like Bush's lapdog. I think everyone's just disillusioned with politics in our country, and it must be the same in your country.
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I'd heard a lot of Motown and Stax when I was a kid, but the more well-known end of it. On Jam tours, we had a DJ called Ady Croasdell who ran a '60s club. He turned me on to underground stuff and what people call northern soul. It just blew my mind.
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There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them.
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I've not had Botox, no.
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When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.
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It's so hard to understand why the world is your oyster but your future's a clam.
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I'd like to think I've left something in the world. Without in any way trying to be morbid, but life is very short, and I'd like to think I'd leave some body of work that would inspire other musicians long after I've gone.
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When I got into the Beatles, I must have only been about six or seven but old enough to take notice. We used to have an old radiogram which, for readers of a certain age, was like a big cabinet thing with a record player inside it.
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We can't stop a baby in Africa from starving to death... but we can afford enough technology and weaponry to blow the world up a million times over.
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If we get through for two minutes only it will be a start!
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Of course I'm proud of what I've done, but I'm interested in what's next. I want to be relevant now, in 2012. I've done my bit for the past. I've only ever been about what's next, really, and I'll be that way until I keel over.
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There is a shy side to me that evaporates when I play on stage, and I like that. I think it's another facet of my character, and I need to do that.
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Most people my age, their musical life ended in the '80s. They stick with what they know. But my tastes are much broader. And I don't want to stop learning.
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I first felt a fist - and then a kick, I could now smell their breath,They smelt of pubs - and Wormwood Scrubs - and too many right-wing meetings.
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It is nice to make a record and people like it, and it's encouraging.
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When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.
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I think politicians are so far out of step with what people really want.
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In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.