Paul Weller Quotes
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The Zombies were really unique - they had elements of jazz and classical music in their songs and songwriting. They had a very, very different sound compared to a lot of their contemporaries at the time.
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The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.
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We can't stop a baby in Africa from starving to death... but we can afford enough technology and weaponry to blow the world up a million times over.
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I take my hat off to people like the Stones, but it's not for me. I couldn't do that. Jagger is brilliant and long may he rock. I couldn't make my career out of old songs; it would do my head in.
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There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them.
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When I lived in a little flat in Pimlico in 1981, I'd write in the hallway. As you walked in, there was a tiny little recess type thing, hardly a hallway, really, and I'd sit there writing songs with my guitar.
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I wear jeans and a T-shirt sometimes. I just like clothes - since the first time I can remember, like age ten or eleven; I was just obsessed with music and clothes. Just like a lot of people in England from my generation.
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There is a shy side to me that evaporates when I play on stage, and I like that. I think it's another facet of my character, and I need to do that.
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I'd like to think I've left something in the world. Without in any way trying to be morbid, but life is very short, and I'd like to think I'd leave some body of work that would inspire other musicians long after I've gone.
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I've not had Botox, no.
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I've bought clothes based on record covers. Particularly from the formative music that turned me onto it in the first place when I was a kid, with the Beatles and the Small Faces. A lot of those Sixties soul artists were in really sharp sharkskin or mohair suits, and Motown artists looked amazing.
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When I got into the Beatles, I must have only been about six or seven but old enough to take notice. We used to have an old radiogram which, for readers of a certain age, was like a big cabinet thing with a record player inside it.
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Most people my age, their musical life ended in the '80s. They stick with what they know. But my tastes are much broader. And I don't want to stop learning.
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When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.
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The only time I ever really got into rap was back in the early '90s, and bands like A Tribe Called Quest, De La Soul, Gang Starr. Musically, they were really interesting. But when hip-hop acts start sampling Sting or Phil Collins, then I just don't get it at all.
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For me, the best thing I can do is play live. The best way for me to put over what I'm trying to do is to play live. Whether it's an acoustic show, electric or whatever... if I shine at all, that's where it all really happens - it just took me a while to rediscover that.
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When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.
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I first felt a fist - and then a kick, I could now smell their breath,They smelt of pubs - and Wormwood Scrubs - and too many right-wing meetings.
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I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.
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In all honesty, I don't know what one song can change.
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It is nice to make a record and people like it, and it's encouraging.
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I come from a time when every kid dressed up. Everybody. If you didn't, you wouldn't be able to hang out. It was very tribal. There's nice things in that. It's culture; it's roots for me.
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I never saw myself as a spokesman for a generation. It was all a bit heavy for me. I saw myself as a songwriter and wrote for myself, which I still do, and I also wanted to communicate with my audience.
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'Ageism,' or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. 'Oh, they're too old to make films or write books.'