Paul Westerberg Quotes
Quotes to Explore
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I don't want to name names, but the least I can say about rock and roll is that I'm suspicious.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll.
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Triple 6 Mafia and Mystikal in Atlanta was one of my first shows. I remember how sweaty and smashed up everybody was, and it was so punk rock.
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The things that drive me are poverty, and pain, and knowing that I don't want to end up being alone and I want to do something with my life and I want the name Dobson to remain in everyone's heads. Basically, just to rock and be the best performer I can be, and be true, and be real, and give people the real Fefe, nothing fake, all real.
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My family is a kaleidoscope... My family is like that. We're all different colors, like a prism. When we have light shine and stuff, we're beautiful. When it's dark, nothing shines, and it's a rock.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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I used to get butterflies. Now we're always ready to hit the stage and rock out.
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In the Bronx, you have the southern Italians; in Queens, the Greeks, Koreans and Chinese; in Brooklyn, the Jewish community; and in Harlem, the Hispanics - all with their own markets.
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The Rock will always come back to us.
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Sure, we've had our fair share of ups and downs, but I don't know if we've had more than any other rock band... we just have a way of getting ourselves into hot water.
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I was always fascinated with rock 'n' roll, or girls, or something like that when I was a kid.
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Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.
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Most of modern rock and roll is a product of guilt.
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I never hated hip-hop. It became the new rock and roll. It became the biggest thing that Africans have ever done in the history of the Americas. Hip-hop put more black Americans on than anything before it. It fed more people. It allowed them to diversify into clothing lines and billion-dollar headphone companies.
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The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
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You know, there have been a lot of casualties in rock-n-roll.
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I don't know if it's possible to live the rock 'n roll lifestyle and still be romantic.
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I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
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My approach to portraiture is conceptual.
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And the end of the fight is tombstone white with the name of the late deceased, and the epitaph drear, "A Fool lies here who tried to hustle the East."
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With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
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I'm not dissatisfied with my place in it rock 'n' roll.
