Don Bluth Quotes
How can you have a director that doesn't go to work with the crew every day and talk to them?
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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Grief is a terrible, painful place. You can't grind away on grief in a solid way and say, 'I'm going to work on this until it's over' because it will be with you for the rest of your life, whatever you do. So, you deal with it and move on.
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I like to work all the time and really immerse myself in the project.
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It might be said that it is the ideal of the employer to have production without employees and the ideal of the employee is to have income without work.
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It was tough for him in that newsroom with Ted Baxter getting all the glory and this poor guy doing all the work. Murray worried so much he worried his hair off!
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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I wanted to be a forest ranger or a coal man. At a very early age, I knew I didn't want to do what my dad did, which was work in an office.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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Right now I am trying to be in a place of calm, a place where I can chill out and then handle the chaos of life better. You don't just get it overnight; you have to work at it. It's a daily struggle.
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To be honest, I've made a game out of trying to live through my James Dean, Janis Joplin, Freddie Prinze, Jim Morrison period, those demons that we all have that we're either successful or not at making work for us rather than destroy us.
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Art, whatever form it takes, requires hard work, craftsmanship and creativity. As a writer, I know my grammar, cadence, the music of prose, and the art of the narrative.
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There's something to be said in favor of working in isolation in the real world.
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I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
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The Bowery was a place that would let us do original songs - not just covers - but we would have to work for tips, so we learned how to work an audience. In order to keep our jobs, we had to keep people happy, so that meant playing the latest Lynyrd Skynyrd and ZZ Top or Merle Haggard.
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I'm proud of my work and how far I've come, and I'm proud of the way that I did it.
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My work is like a dialogue between me and unseen powers, like alchemy.
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In a nutshell though, it's just all about opening up to the people that really care about my career and really listening to everybody who is listening to me. It's just made me stronger, to really be able to open up that door and listen to everybody else's opinions.
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Ultimately we're all faced with the same things and that's what brings us together. It's just human nature to be terrified and that doesn't necessarily manifest itself in completely different ways.
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I'm used to being surrounded by really smart 22-year-old students who have no problem saying that something I suggested is not a very good idea.
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Few American presidents have been unhappier or lonelier in office than Woodrow Wilson.
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Ultimately the way to win the game of life, is found in only one thing: Our ability to choose meaning in any life circumstance. Become the master of meaning and you master your life.
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How can you have a director that doesn't go to work with the crew every day and talk to them?
