F. Sionil Jose Quotes
The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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It's hard to give advice. There are so many people, how do you give major advice to a group of people, it's very presumptuous.
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I've been lucky enough to work in pop culture, especially with people right before they popped.
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I want to do stories that really move me, that have an audience, and at the end of the day, I want people to feel something when they walk out of the cinema.
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After 'The Poisonwood Bible' was published, several people believed that my parents were missionaries, which could not be further from the truth.
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Throughout his long career, Washington earned the adulation not merely of ordinary people but of the other luminaries whom we now hail as 'founding fathers.'
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Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.
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Helping people boost themselves out of poverty is the best way to make a lasting positive difference in a person's life.
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I guess if you have an original take on life, or something about you is original, you don't have to study people who came before you. You don't have to mimic anybody. You just have a gut feeling inside, an instinct that tells you what's right for you, and you can't do it in any other way.
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When I first came to the Bay area, I worked in Silicon Valley in the early to mid-'90s, and I think what mattered then was our ability as designers to create a vision around people's ideas.
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I want to know what people thought and what they wore and what they ate for breakfast.
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Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
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The Japanese people are usually very prudent, even when they are convinced change is necessary.
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Certainly, last year we did an episode about the census and sampling versus a direct statistic. You just said the word 'census,' and people fall asleep.
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My work at R.E.I. was incredibly fulfilling and rewarding, especially the stewardship elements of it, the ability to connect young people to public lands close to home.
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I can understand why some people might look at me and say, 'What's she got to be depressed about?' I get that a lot in Britain, where mental health issues seem to be a big taboo.
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'Lost' seems to be the inverse of 'Air': It explores dispossession and identity by forcing a bunch of people into one invented landscape instead of using many invented landscapes to keep people apart.
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It's a new challenge to see how people can change your look. I like words like transformation, reinvention, and chameleon. Because one word I don't like is predictable.
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Fashion is so mass-produced now; I hope there will come a refocus on how people see couture. And I would also hope for a new focus on the craft.
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My dad is Irish. I spent my childhood going back and forth between Ireland and America.
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It is assumed in many parts of the world that democracy is a group of people facing a certain problem, who come together to solve it in a way where everyone has an equal say.
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Some moments it feels longer, other moments it feels like it's flown by; you can't believe you've done it all that time... Overall, you have a strong sense for the full spectrum that you've sort of traveled.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
