Mary Augusta Ward Quotes
English girls' schools today providing the higher education are, so far as my knowledge goes, worthily representative of that astonishing rise in the intellectual standards of women which has taken place in the last half-century.
Quotes to Explore
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Dangerous people with guns are a threat to women.
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The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
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I suppose if I'd got a brilliant first and done research I might still be a don today, but I hope not. People become dons because they are incapable of doing anything else in life.
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You have to really love women in order to really just have a respect for women and love them. No man - I don't care what kind of man it is, how feminine he is - they never could understand what we go through as far as physically and mentally.
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People say, 'Oh, politics is so polarized today,' and I'm thinking... '1861, that was polarized.'
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I have already seen death, and I know that death is supporting me in my cause of education. Death does not want to kill me.
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Today, fear of bloodshed is forcing us into recognizing new taboos: those of Muslims.
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When I was in college, my brother, B.R. Chopra, who is everything to me, was a director in Bombay. He taught me filmmaking. What I am today is because of him.
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The philosophy of the school room in one generation will be the philosophy of government in the next.
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Strauss' water activities, which highlight both its social responsibility and commitment to the environment, meet a genuine need of people around the world today.
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In Congress, I'll work hard to encourage investment in education, particularly with respect to technology and bridging the digital divide.
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The faces of most American women over thirty are relief maps of petulant and bewildered unhappiness.
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And I don't believe that melodramatic feelings are laughable - they should be taken absolutely seriously.
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The air of the English is down-to-earth. They care about details; there's a tradition, but there's also a counter-culture: the younger generation versus the older generation and so on. But then that's well blended into a happy balance and crystallised into common sense.
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The Congo is so fun. The ideal body type coveted by women in the Congo is this extremely curvaceous body. They're going through a number of extreme measures to get that kind of body form, and one of them is by using bouillon cubes.
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It's a taboo that comes back over and over, to suggest that women can feel divided - that you can love your child and want to do everything for it, and at the same time want to put it away from you and reclaim something of yourself.
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I'm not someone who likes to have my picture taken, let alone see it plastered all over the place.
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I was brought up in a house full of women; the first time I realised no one was interrupting me was when I was on stage - that's probably the subconscious reason I became an actor.
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Our generation has taken to the cosmetic use of pesticides and I think, perhaps unwittingly, not fully understanding the dangers it represents to ourselves and, most importantly, to our children.
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It surprises people that there's actually a very large number of slaves in the world today-our best estimate is 27 million. And that is defining a slave in a very narrow way; we're not talking about sweatshop workers or people who are just poor, we're talking about people who are controlled by violence, who cannot walk away, who are being held against their will, who are being paid nothing.
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What the world of tomorrow will be like is greatly dependent on the power of imagination in those who are learning to read today.
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There are alway going to be bad things. But you can write it down and make a song out of it.
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Art always has something of the unconscious about it.
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English girls' schools today providing the higher education are, so far as my knowledge goes, worthily representative of that astonishing rise in the intellectual standards of women which has taken place in the last half-century.
