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I like being a leader in real life.
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I try to ground most of my characters in reality somehow. That's kind of what I bring to the table.
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With the Internet, kids today learn things quicker than we do and they have everything there is to see, so you have to do more than just remake some old '70s film.
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It's different as a guest as opposed to being a star of a series. A guest star is a whole different responsibility. It's much different than being a regular. You come in, and it's a lot of unfamiliar faces, and you want to try to fit in as best you can, but also you want to stay there without making waves.
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For a Bostonian... we live in the shadow of New York, and to be acknowledged by New Yorkers is really the greatest feeling.
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Backstreet Boys fans don't want to hear the New Kids singing all of their hits. Just like our fans don't want to hear the Backstreet Boys singing all of our hits.
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If you are succesfull for 20 years, you can't expect to stay on the same level all through that period. A career has its ups and downs and in-betweens.
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There's a real danger in doing a sequel. There are some benefits, but that all hinges on how well you execute. Quite frankly, most sequels don't execute well.
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In high school, I was one of the cofounders of New Kids on the Block my freshman year in high school. But I also started studying theatre in high school my freshman year as well. So throughout high school, I was actually doing both.
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It doesn't matter to me if it has a surprise ending or not. I usually go for the material or the project.
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A guest star is a whole different responsibility. It's much different than being a regular. You come in and it's a lot of unfamiliar faces and you want to try to fit in as best you can, but also you want to stay there without making waves.
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Ultimately in the end, it's the director's choice.
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In the end I'm the only one who knows me.