Doug Aitken Quotes
'Station to Station' came out of a sense of urgency - a sense that culture, be it art, film or architecture, has become so compartmentalised. For this project, we wanted to break that and create a language that is more nomadic and less materialistic and really empowering for the creators and the audience.
Quotes to Explore
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I love a real-life, movie moment in living color.
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My favorite writers are all Jews - David, Solomon, Matthew, Mark - well, you get the picture.
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Nevertheless, there is another threat on the horizon. I see this threat in environmentalism which is becoming a new dominant ideology, if not a religion. Its main weapon is raising the alarm and predicting the human life endangering climate change based on man-made global warming.
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In the future, I'd like to see paleontology as a whole get a lot more quantitative.
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When you are at the bottom, you find beauty in such little things, and goodness in such little gestures. When I compare any struggle today to ones that I may have had in my childhood, there is nothing that can bring me down.
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It's been tough for me being away from the game.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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Teach For America would not be able to continue recruiting and developing an ever-more diverse and impactful group of corps members and alumni if the nation's leading colleges become even less diverse.
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There is small risk a general will be regarded with contempt by those he leads, if, whatever he may have to preach, he shows himself best able to perform.
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One of my side strange abilities is to hear a good song, no matter how it's being performed. Even if you get a bad performance, I can still hear that there's a good song.
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It's easy to have faith in yourself and have discipline when you're a winner, when you're number one. What you got to have is faith and discipline when you're not a winner.
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Black women, whose experience is unique, are seldom recognized as a particular social-cultural entity and are seldom thought to be important enough for serious scholarly consideration.
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I have been learning English on the road since I started when I was 15, so it is a slow process but making some progress. Now I think I am much more comfortable with my English. However, it is difficult, still, when I speak about something that is not tennis.
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The mud is cold when you're in the north of Scotland!
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I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
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I have a Rhodesian Ridgeback dog named Lola.
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Nothing I have done professionally will top the feeling I got when singing with John Farnham at the 2000 Olympic Games in Sydney.
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I never see things I make in the same way that the audience does. You can never do that.
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The thing about Brando was that I'd make these directions, and he'd walk away. He'd heard enough... to get the machine going.
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I feel funny about owning art. I don't really want to say: 'Wow, come and see my Monet - it's in a dark room at the bottom of my cellar.'
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I don't own any of my own paintings because a Picasso original costs several thousand dollars and that's a luxury I cannot afford.
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I usually don't share the music with the musicians until right before they have to record their parts, because I hate discussing it and just intellectualizing it on any level. I just want to speak from the subconscious, which knows way more about me than my intellectual side will ever know. Once I start doing the arrangements - what I call the architecture of the song - that has a lot of thought put into it.
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I was shocked and excited at the same time. It puts playmakers in a position to make plays, and there are going to be a lot of big plays in this offense.
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'Station to Station' came out of a sense of urgency - a sense that culture, be it art, film or architecture, has become so compartmentalised. For this project, we wanted to break that and create a language that is more nomadic and less materialistic and really empowering for the creators and the audience.
