K. A. Applegate Quotes
Quotes to Explore
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I knew I didn't want to make a country record just because that's not really what I would have ever made as a solo artist.
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I want to have fun. I'm not interested in being a serious actor, because I think it's boring, and I think we've got plenty of them.
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I believe politicians should always remain realistic.
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People believe what they want to believe.
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I cannot always control what goes on outside. But I can always control what goes on inside.
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If you're filming somebody doing something they really want to do, you're probably not very high on their list of problems to deal with. You see James Carville on the phone - he's like that whether you have a camera or not. He isn't doing it just for you, and that's hard to explain.
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I always separated sports and my personal life.
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I've always been a huge reggae fan.
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Journalists always explain that people are mad at them because they tell the truth, which is often unpleasant or uncomfortable to hear. However, they fail in situations where there is more than one truth.
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When you want something very dearly, you make the time.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
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My hands were constantly blistered or bloody; my ears were always ringing. I tore through drumheads and drumsticks like there was no tomorrow.
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I'll dispose of my teeth as I see fit, and after they've gone, I'll get along. I started off living on gruel, and by God, I can always go back to it again.
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I want to direct every now and then, but I don't want to be a director.
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I wouldn't dream of working on something that didn't make my gut rumble and my heart want to explode.
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I always had a feeling when I was a kid that I didn't really know what was going on. Everybody else knew stuff that I didn't know.
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I definitely don't want to do drama. I'm not looking to branch out into that world.
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The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
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In figure painting, the type of all painting, I have endeavoured to set forth that the principal if not sole source of life enchantments are Tactile Values, Movement and Space Composition.
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The establishment of free trade agreements can be a critical and progressive step towards greater economic integration, and continues to become more valuable in an increasingly global world.
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I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.
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And now, Elric had told three lies. The first concerned his cousin Yyrkoon. The second concerned the Black Sword. The third concerned Cymoril. And upon those three lies was Elric's destiny to be built, for it is only about things which concern us most profoundly that we lie clearly and with profound conviction.
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Hunger and homelessness aren't things we always want to talk about.
