Emmanuelle Seigner Quotes
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I'm sure my children will be artists. I hope they will direct because it is much more interesting. Acting is great, and I love it, but it is very passive, and it depends on other people's desire, and you depend on others all the time.
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I've wanted to be Mick Jagger since I was 18. One of the things I love about music is that you don't have to be dependent on other people like you are in the film business. I hate being dependent on anyone. With my music, I can do whatever I want. I also think it's made me more relaxed as an actress.
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I don't like French food. I like everything but French food.
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Sometimes when you do big movies, you can lose sometimes a little bit of soul.
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I did great things in the theater. I did some nice roles, 'The Diving Bell and the Butterfly' or 'La Vie en Rose.' And I love my role in 'Frantic.'
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'Venus in Fur' is very Polanski: you have the knife of 'Rosemary's Baby'; you have Thomas disguised as a woman as in 'The Tenant,' when Vanda puts makeup on him, it's like 'Cul de Sac'; the dress of Tess and other details that are very Polanski. He fell in love with the play because it was so much him.
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In France, I guess there's something like a tyranny in mentalities - we accept success badly, beauty, money. People are certainly envious, and this creates negative energy. This is annoying. I suffered a great deal at one time. I had to fight harder than others. Add to that my marriage to Polanski.
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I never had the slightest desire to have cosmetic surgery - partly because I don't want to look like an alien and partly because it's nice to age in a way. Also, I think that if your soul is beautiful, then the rest of you stays beautiful.
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There's a lot of good roles for men, always, and for very young girls. But for women, not so many.
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I've always been very good at convincing people. For instance, if I arrive in an airport and I'm in economy, I can always convince the guy to put me in first class.
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When I did 'Frantic,' I didn't have a lot of experience. My English was so bad, and I did an OK job, I think, but I was not amazing.
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My sister Mathilde is an actress, but more like a French Jennifer Aniston. She's famous just in France. She's very commercial and does big comedies. So, acting was part of my family, and that's how I was raised.
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I think age is just something written down on a piece of paper. I mean, you come across 20-year-olds who are like old people sometimes. I've never taken much account of age throughout my life - my own or anyone else's.
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Acting in another language is great, and I've done that. But you can't do it as well as you can do it in your own language.
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When my husband won the Palme d'Or in 2002, I wore the same dress two days in a row. My daughter said, 'Mom! Did you sleep in your dress?' But I think it's cool to wear the same thing. I have to feel comfortable.
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I grew up around the Luxembourg Gardens, so I guess that is my best memory.
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Everything in life, bad or good, makes you change and grow - happily, because if it didn't, we'd be machines.
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I come from a family of actors. My grandfather was like a Laurence Olivier with the Comedie Francaise. Since I was four I went every week to the Comedie Francaise. My aunt and grandmother were there, but my grandfather was a big star.
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I don't like the idea of fitting into a mould so as to conform. What I like is the danger, the difference - being unpredictable.
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I don't really want to find myself face-to-face with 10,000 paparazzi. I just want to be comfortable.