Dr. Dre Quotes
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Before now, I've always taken my mixes out to the car and listened to them in the parking lot. I still do that, but more so now I'm listening to it on the Beat box, and I think people should give it at least a listen and check it out and see what it is.
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An instrumental album is something I've been wanting to do for a long time.
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I've never considered myself a rapper. I know how to do it. I know how to make my voice project, and I know how to stay on beat and what have you, but I've never considered myself a rapper.
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People are always coming up to me, thinking I've got some magic wand that can make them a star and I want to tell them that no one can do that. Making hit records is not that easy. But it took me time to realize that myself.
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Once a song is done, for me, personally, it's usually two or three days to get the mixdown.
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I'm a producer at heart. I like being in the control room and directing people. That's what I do. But I've gotten on the mic a few times in my career; people seem to like it, so I'll do it again here and there. But that's really not my thing.
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I had between 20 and 40 songs for 'Detox,' and I just couldn't feel it. Usually, I can hear the sequence of an album as I'm going, but I wasn't able to do that. I wasn't feeling it in my gut.
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I'm a fan of J. Cole.
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I work hard making music - that's how I earn a living.
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When the ideas are coming, I don't stop until the ideas stop because that train doesn't come along all the time.
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I believe in reincarnation, and I believe I've lived quite a few lives.
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Everything in my life has been about sound and making music, so Beats represents just that - the improvement of sound and the dedication to everything I've been doing from the day I started.
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I sequence during the entire recording process. The sequencing changes as I'm recording and as I'm listening. From when I'm, like, four songs in, I start trying to figure out which song should come after which. Which is important, and it changes as the album goes.
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I have a high tolerance for pain - both physical and mental.
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The race factor was just a minuscule part of what I was doing with Eminem. It was really about the music and how well we worked together.
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I always loved the way music made me feel. I did sports at school and all, but when I got home, it was just music. Everybody in my neighborhood loved music. I could jump the back fence and be in the park where there were ghetto blasters everywhere.
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I was the biggest Public Enemy fan - I think it's what inspired the aggression of N.W.A. We just took a different route lyrically.
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Everything that I do is for sound goals. It comes from my gut. When I'm sitting in the studio, a mix isn't done till I feel it in my gut.
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It's always been difficult to make a good record.
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There is some sampling on my records and a lot of what I call replays, where I'd have musicians come in the studio and replay the sample from the original record. But mainly, we'd come up with our own music.
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I'm never gonna stop music, it's like air to me.
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The difference between the headphones and making music, it's like, okay, I have a new business here that I'm proud of, but my soul still remains in the music-making process.
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In fact, I would advise against anyone doing reality shows. I won't be doing 'X Factor' just yet.
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I can remember when I was just, like, about four years old in Compton, and my mother would have me stack 45s, stack about ten of them, and when one would finish, the next record would drop. It was like I was DJ'ing for the house, picking out certain songs and so this song would go after that song.