Hamlin Garland Quotes
From the great trees the locusts cry In quavering ecstatic duo-a boy Shouts a wild call-a mourning dove In the blue distance sobs-the wind Wanders by, heavy with odors Of corn and wheat and melon vines; The trees tremble with delirious joy as the breeze Greets them, one by one-now the oak Now the great sycamore, now the elm.

Quotes to Explore
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I applied to only one college - the Wharton School at the University of Pennsylvania - and was fortunate to be accepted. After graduation, I headed to Wall Street and worked as I had dreamed.
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A teacher should have a creative mind.
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You can oppose reparations all you want, but you got to know the facts. You really, really do.
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I saw hell. The hospital had divided and conquered pretty successfully.
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All Hollywood corrupts; and absolute Hollywood corrupts absolutely.
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I'm a guy who loves my family, and we're probably only going to have a couple of more babies. I have the rest of my life to play the British Open.
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You think you're looking at things all the time, but you're not looking at things, you're looking at what your brain is interpreting through light and color. And who knows what everybody else sees?
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My whole thing is being sexy without showing too much, because that's my comfort level.
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When I was in college, I used to love to watch football on Sundays.
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Native trees are so important to our ecosystem.
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The only routine with me is no routine at all.
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My main hope is eventually, in modern education field, introduce education about warm-heartedness, not based on religion, but based on common experience and a common sort of sense, and then scientific finding.
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From my own experience, I want to say that you should follow your heart, and the mind will follow you. Believe in yourself, and you will create miracles.
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A mother will come up to me and say, 'Will you meet my son? He loves you. He watched 'How to Train Your Dragon' a thousand times.'
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I left Edinburgh to follow the London punk scene in 1978, singing and playing guitar in various bands. My income was sporadic, so I did anything to eke out some kind of subsistence - laying down slabs, working as a kitchen porter.
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The red carpet is not something I really know how to work. It intimidates me. I feel very tiny.
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My journey is so similar to everyone else's journey, because we all are human. We all have been defeated by the powers of darkness, and we all find redemption in the light of Christ.
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The happiness I feel in having a family has brought me a real beauty.
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National identity is a motion. It's something you're inside, you don't get what's happening, you can't see it from above. And that's where you have to write. You can't see what's happening now or what's going to happen, so you just dive into it and write.
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Music gave me something that was not only good for me - it gave me something to work on, something to be proud of and something that I really loved and have a love for - but also music was good for other people because you put joy into the world.
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I like joy; I want to be joyous; I want to have fun on the set; I want to wear beautiful clothes and look pretty. I want to smile and I want to make people laugh. And that's all I want. I like it. I like being happy. I want to make others happy.
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Restraining the thought-streams natural to the mind, ... the seer dwells in his own nature. Otherwise he is of the same form as the thought-streams.
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Being open to what's happening in front of you is the most important thing about being a director. To allow the magic to exist and to be light enough on your feet to harness it as it's happening. That's what makes cinema interesting.
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From the great trees the locusts cry In quavering ecstatic duo-a boy Shouts a wild call-a mourning dove In the blue distance sobs-the wind Wanders by, heavy with odors Of corn and wheat and melon vines; The trees tremble with delirious joy as the breeze Greets them, one by one-now the oak Now the great sycamore, now the elm.