Mary Lambert Quotes
I'm not saying everybody has a social responsibility of what art they create, but art should be open-ended. I just feel there's a lack of consciousness and understanding of impact and reach. Just maybe, for a second, just think of the effect you could have with a lyric.

Quotes to Explore
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The decathlon includes ten separate events and they all matter. You can't work on just one of them.
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Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
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The Great War was a progressive revelation and disillusionment.
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In bookstores, my stuff is usually filed in the out-of-the-way, additional interest sections.
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I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.
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It's almost like he's started to sound even more exotic the more people started doing him. I don't know why, but there's just something about Al Gore that makes me laugh.
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I am blessed to have worked in big-budget films at an early stage of my career.
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I find the whole situation of confronting an audience terrifying.
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When I'm in the studio, I'm strictly thinking about the beats, the rhymes and the song. The decision I make once the songs are created, and there's a barcode put on the package, and I'm out there in the street selling it, those decisions as a businessman are different than the creative decisions you make.
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If you respect a language and culture, it shows in your work.
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There's been a big buzz about the Charlatans in the last couple of years. I've heard the word Charlatans more in the last few years than I'd heard it for the previous 20 years. People would interview me for years and never even mention the Charlatans.
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I invented animals and birds – I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.
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What could an unsanctified man do in Heaven, if by any chance he got there? Let that question be fairly looked in the face and fairly answered. No man can possibly be happy in a place where he is not in his element and where all around him is not congenial to his tastes, habits and character.
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The bigger we get, I think the more it's changing things, which is great, but we didn't set out to do that. We just wanted to be as big as we possibly could be.
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I'm really a director's actor. I rely heavily on a director.
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I try to play my game and that's being emotional because I'm that kind of guy.
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And I like to convey my feelings, my emotions, my experience, the information I have to public use, public opinion.
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New York for me is about work. If L.A. were to become a West Coast version of that, I'd shoot myself. The climate, the lifestyle - it really fits as the yin to my New York yang.
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I like the work. If I upped the price, I wouldn't get the work.
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The warrior may fight for gold or for an immediate gain, or for something to take home for the winter to feed the family. The soldier is part of a more complex society. He's fighting for a group ethic of some sort.
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When I work a game as an analyst, all I do is look at the game like a coach. Why was something successful? What makes it work? I just try to use my expertise and whatever insight I have to the game.
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I'm not saying everybody has a social responsibility of what art they create, but art should be open-ended. I just feel there's a lack of consciousness and understanding of impact and reach. Just maybe, for a second, just think of the effect you could have with a lyric.