Paz Vega Quotes
Quotes to Explore
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I don't like workouts that make you bulky.
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I never did a dirty armpit. You can look dirty, but you can't be dirty.
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Acting is my first love, and that's my main career, it really is.
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This is what's sick about living in L.A. My eight-year-old daughter will point to a woman and say, 'Look! That woman's had too much Botox.' She spots them because they all look a bit like Lord Voldemort from 'Harry Potter.'
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I don't think I can play Mr. Bachchan.
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I think we should balance the federal budget tomorrow. I'm optimistic. I think Americans are optimistic. We went to the moon; we can balance the federal budget.
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I'm kind of embarrassed by how quickly I adjusted to L.A. I really love it. It's so pleasant.
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I didn't know who the hell I was. I was whoever they wanted me to be.
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It is said that the effect of eating too much lettuce is 'soporific'.
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I've watched Urkel since I was a little kid.
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Men treat men differently than they would a woman.
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I didn't get a phone call from Bill Clinton before I jumped in the race ... maybe it's because I hadn't given money to the foundation or donated to his wife's senate race.
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To be one's own master is to be the slave of self.
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Everybody has some sorrow, worry, and everybody asks God for help.
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Experience is one thing you can't get for nothing.
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My job is to engage, entertain, work out my life, tell a certain truth.
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As you get older, you start to really ask questions like, 'Is this the road I should be walking down?,' because every decision seems more final, as you get older.
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Like all sciences, chemistry is marked by magic moments. For someone fortunate enough to live such a moment, it is an instant of intense emotion: an immense field of investigation suddenly opens up before you.
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Late, by myself, in the boat of myself, no light and no land anywhere, cloudcover thick. I try to stay just above the surface, yet I'm already under and living within the ocean.
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The struggle for your own character is the struggle for the nation's character.
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There's never been any game plan or thread through my career. It's just happened that I've ricocheted from one interesting character to another.
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I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on.
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It is therefore indisputable that the limbs of architecture are derived from the limbs of man.
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It's very difficult to decide. And I'm very open to proposals.
