Jake Bugg Quotes
Quotes to Explore
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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I don't like to practice; I like spontaneity. When I don't play guitar for a week and I pick it up again, I play better.
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I had great English teachers in high school who first piqued my interest in Shakespeare. Each year, we read a different play - 'Othello,' 'Julius Caesar,' 'Macbeth,' 'Hamlet' - and I was the nerd in class who would memorize soliloquies just for the fun of it.
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I fantasized being a broadcaster.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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I don't believe we have defined health care reform very well in this country.
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In sleep, you are safe from the revolting mechanics of living and being a prey to outrageous fortune.
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As an actor, you don't want to play a one-dimensional character.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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I was very innocent and shielded as a child, so I didn't know a lot about music or dancing. When I was in Primary Six, no one would participate in a talent show, so I decided to go on. When the audience applauded me, I felt euphoric, and I started dancing right after that!
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It's important for people to understand where things come or what they represent.
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I believe in Karma. If the good is sown, the good is collected. When positive things are made, that returns well.
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As a boy, I had an uncle, T. G. Bond, who lived near Moreton Hampstead and who was passionately devoted to Dartmoor. He inspired me with the same love.
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EmTech Asia brings together some of the brightest minds in technology and computer security.
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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We all accept the visual shorthand used throughout comics: if something's farther away, it'll be drawn with a thinner, simpler line, eventually leaving out most visual information and becoming a gesture, a skeletal representation of a thing.
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I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
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I would argue that the objective evidence shows that big government is not a friend to African Americans.
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There is nothing in the world so much admired as a man who knows how to bear unhappiness with courage.
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The Democrats seem to be basically nicer people, but they have demonstrated time and again that they have the management skills of celery.
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I'm working on my music a lot, like folk singing, guitar. It's sort of rocky, folky, alty, angsty. I'm putting a lot of energy into that. I write pretty much all the time.
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For the spell is older than experience. For the tale is older than the record.
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I play music because I love it and I'll keep playin' till I'm old.