Philip Seymour Hoffman Quotes
Quotes to Explore
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I think of myself as a cover girl. But I would never do some kind of cheesy magazine.
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I have no contracts with my clients; just a handshake is enough.
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Thankfully I'm not endlessly ambitious, but I have done some crazy ambitious things like buying an island off the west coast of Scotland in the late Sixties.
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Being bombastic for the sake of being bombastic has just never been my take on the world.
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I never saw a wild thing sorry for itself. A small bird will drop frozen dead from a bough without ever having felt sorry for itself.
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I have no interest in directing. I've no talent for it.
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The soul is your innermost being. The presence that you are beyond form. The consciousness that you are beyond form, that is the soul. That is who you are in essence.
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I can only tell you that eggs, country ham, biscuits, a pot of coffee, a morning paper, a table by the window overlooking the veranda and putting green, listening to the idle chitchat of competitors, authors, wits and philosophers, hasn't exactly been a torturous way to begin each day at the Masters all these years.
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I don't think anybody ever saw anybody taking anything.
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It's as simple as something that nobody knows.
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We hear tears loudly on this side of Heaven. What we don't take time to contemplate are the even louder cheers on the other side of death's valley.
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I think every revolutionary act is an act of love. Every song that I've written, it is because of my desire to use music as a way to empower and re-humanize people who are living in a dehumanizing setting. The song is in order to better the human condition.
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The way in which people talk about climate is just so wonky and so abstract and such a boys' club that it makes a lot of women just roll their eyes or feel that they are somehow not qualified. I certainly had to fight that feeling in myself in order to write about it.
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Every blossom I see reminds me of you
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We began talking about the characters and he opened up about his vision. He's extremely thoughtful and sees grand issues both social and political in an interesting way. Quite honestly, I wasn't certain how some of his ideas were applicable to the screenplay, but he was heartfelt and adamant about them. And I remember completely going with it.
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But I know what's important to me, and what isn't. And I think I know what people can get used to, and what they can even learn to like. (It just takes some people longer than others. :-)
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The sitting room is subdued, symmetrical; it’s one of the shapes money takes when it freezes.
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It's not enough to have lived. We should be determined to live for something. May I suggest that it be creating joy for others, sharing what we have for the betterment of personkind, bringing hope to the lost and love to the lonely.
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Since it is Reason which shapes and regulates all other things, it ought not itself to be left in disorder.
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When I first started fingerpicking, the first thing I learned was 'Don't Think Twice It's Alright' from Bob Dylan.
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I have a great deal of difficulty with those who live in a hugely prosperous country telling people in the developing world that they should be deprived of a critical source of energy.
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I don't get nervous when I'm directing a play. It's not like acting.
