Quincy Jones Quotes
Michael (Jackson) was so shy, he'd sit down and sing behind the couch with his back to me while I sat with my hands over my eyes-and the lights off.

Quotes to Explore
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I believe that you can always learn from observation.
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If some people have the belief or view that the Dalai Lama has some miracle power, that's totally nonsense.
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As a kid growing up - I can see now - it didn't matter what I did, as long as it was something I could be really good at. Cycling just happened to be the opportunity that came along.
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My mother certainly never altered the topics of her conversation based on children being present.
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I will never forget the will of the people who believed in me wherever I went during the election campaign.
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People don't remember each tree in a park but all of us benefit from the trees. And in a way, artists are like trees in a park.
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I tried to take seriously the idea that if you tortured language you might arrive at some new truth. Later it became clear to me that I was retreading ground by fighting the literary battles of the 1950s and 1960s, and that I was actually a bit bored by some of the books I professed to love.
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I have been running since I was 7. I was trying to restructure the way my body was made instead of trying to master the way I ran. I would get so frustrated with my starts in practices that I would just cry. When I ran, I wouldn't even try to get out of the blocks, I would just run.
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I'm very proud I'm Chinese and represent the Chinese community.
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Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.
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A standard line, promoted by people like Clement Greenberg, is that politics contaminates art, and Manet is often cited as an example of art for art's sake.
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Creative people are more prone to depression.
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Religion is absolutely unfathomable. Always and everywhere one can dig more deeply into infinities.
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Classical music requires an immense amount of concentration, and I don't know if I would've been that committed to that particular life.
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Character is like a tree and reputation like a shadow. The shadow is what we think of it; the tree is the real thing.
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It's interesting – in 'Fail Safe,' as well, they didn't back off. We were raised with kind of this spectrum of that Armageddon and lived under it, so those were probably the films. 'Fail Safe' sort of haunted me.
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Fools are more to be feared than the wicked.
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I'm just a worker.
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Destiny urges me to a goal of which I am ignorant. Until that goal is attained I am invulnerable, unassailable. When Destiny has accomplished her purpose in me, a fly may suffice to destroy me.
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I'm a fiend for costume jewellery and have countless pairs of rhinestone or diamante earrings, which are so flattering when they catch the light. I love the designers Alexis Bittar and Kenneth Jay Lane, and I always go to jewellers Butler & Wilson.
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I mean that you always know what results will come from one or another of your actions; but in a strange way you want to do one thing and get the result that could only come from another
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We never had a catalogue; we never said we were going to duplicate these pots this year and next year and the year after that and so forth. We did make many pots which were repeated, but we allowed them to change and to grow as we changed and grew, and I think that was the big difference. And that's all right; we were working for ourselves. We didn't have anybody we had to pay.
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I'm very interested in compassion - compassion for oneself and others. I write about very complicated characters and experiences and try to do it without judging the character or the action.
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Michael (Jackson) was so shy, he'd sit down and sing behind the couch with his back to me while I sat with my hands over my eyes-and the lights off.