Neneh Cherry (Neneh Mariann Karlsson) Quotes
I love Robyn, not just because we've worked together. I mean, that's why we've worked together - because I love her.
Quotes to Explore
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Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
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Together, often by unanimous vote, the council has worked quickly to get positive results.
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
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The lessons from the peace process are clear; whatever life throws at us, our individual responses will be all the stronger for working together and sharing the load.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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If you listen to a Deadmau5 record or a Skrillex record, I really enjoy that stuff because, as aggressive sounding as the Skrillex records are, they're still musical, and that's why they have such a broad appeal.
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But it's the particularity of a place, the physical experience of being in a place, that makes it onto the page. That's why I don't just do library research. I very rarely write about somewhere I haven't been.
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If you play cricket for India, money is bound to come, and with IPL in and match money of the Ranjhi trophy, I think money is there. There's no good reason why you should not work hard, because at the end of the day, you want to play for your country.
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We have global interests, potential threats from elsewhere, North Korea, Iran, Taiwan Straits and the like. We must be prepared for any future threat. That is why it is important that this be a transition year, 2006.
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When I was a little girl, I used to walk around with a towel on my head, pretending I was a nun. And then one day my mother said, 'Why don't you just become an actress, and then you can pretend you're a nun.'
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As a matter of personal philosophy, I have generally said, 'Why not?' far more often than either 'Why?' or 'Not.'
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So this was the big secret historians keep to themselves: historical research is wildly seductive and fun. There's a thrill in the process of digging, then piecing together details like a puzzle.
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My childhood was a happy one. I was captain of the school sports team and played cricket after class. I had five younger siblings and a large loving family that lived together. We are still very close.
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I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
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Why is it there are so many more horses' asses than there are horses?
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Cities can be the engine of social equity and economic opportunity. They can help us reduce our carbon footprint and protect the global environment. That is why it is so important that we work together to build the capacity of mayors and all those concerned in planning and running sustainable cities.
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There's always a wine bully. The one person who did read the 'Wine Spectator,' who tells you what to drink and why the '97 is better than the '98. I want to punch the wine bully in the face. I want to make sure this generation of wine drinkers isn't elitist and snotty. I want it to be about family and bringing people together.
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Apple, of all the global tech companies, was the one that understood why artists make things.
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Yes, I think I have the best swing on the Tour. Why have scores comedown in the last ten years? Partly because they are imitating me.
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'Singh Is Bliing' came up to me as my dream role.
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In the greatest fiction, the writer's moral sense coincides with his dramatic sense, and I see no way for it to do this unless his moral judgement is part of the very act of seeing, and he is free to use it. I have heard it said that belief in Christian dogma is a hindrance to the writer, but I myself have found nothing further from the truth. Actually, it frees the storyteller to observe. It is not a set of rules which fixes what he sees in the world. It affects his writing primarily by guaranteeing his respect for mystery.
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It is not enough to defend our values at home, in our newspapers and in our institutions. We also have to defend them in the refugee camps of the Middle East, and the ruined ghost towns of Syria.
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I love Robyn, not just because we've worked together. I mean, that's why we've worked together - because I love her.
