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Sometimes you feel like it's cursed when something takes so long to come out and you don't know if it's going to really come out.
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I'm 38 years old and Limp Bizkit is just something I do. If I was a painter, it would just be a type of painting I make.
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I loved the Cure and Bauhaus and the Smiths. The people in my town weren't privy to that kind of music and I got abused. I discovered the microphone to get out some of that angst.
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I think they'd rather us follow our hearts and I hope that's what some people will understand.
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I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.
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Emotionally, I was affected a lot by Rage Against the Machine, not specifically the literal intention of the words or what it was about, but the feel, the sound, those phrases that got me.
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For someone in my position, there's opportunities to be anything you want to be, even if you shouldn't be eligible, and I think that's left a bad taste in a lots of financers' and studios' mouths. Just cause someone's popular at one thing, letting them do the other isn't always the right thing.
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I don't fight people for fun.
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I love jazz music and sad music. I'm a sentimental guy. I'm a romantic guy.
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When you're a kid, you see your parents reading the newspaper and you're like, 'God, why are they reading the newspaper?' When you're young, you're not reading the newspaper. But there comes a time in your life when the newspaper's cool.
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I'm a sentimental guy.
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My Web site, everything I write in there is from me.
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When you say something is very different to a core base that expects heavy music from you or very aggressive music, everybody tends to go, 'Oh, they're gonna get mellow, they're gonna get soft.'
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I love collaborating.
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I think ever since I was preteen I wanted to direct movies and tell stories.
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There's an insecure part of me that comes out of me, I get nervous. I don't know why, I wish I could overcome it because it gives me an anxiety feeling.
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Sometimes it's about less is more. It's about the seed. Thinking about this gigantic tree that you think is so beautiful but it started with this just seed.
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When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn't care who liked or who disliked.