Phoebe Robinson Quotes
Quotes to Explore
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The point really is that a writer tends to write a book that he or she tends to write. It's as simple as that. Of course, it's important to make a living and all that, but the main impulse as far as I'm concerned - and I'm sure as other writers are concerned - is to tell a story that I feel impelled by.
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I think my numbers speak for themselves.
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Joy is the simplest form of gratitude.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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I hate ugliness. You know I'm allergic to ugliness.
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When I look back over my career, there was so much stress. And it was because of the business. It was always because of the business.
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My first job was with an auto plant, Kansas City - they treated you like slaves. From there I went back to Chicago, worked in steel mills, drove a cab, stuff like that.
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I was raised Catholic, and my grandmother taught me to stay. As a teenager, I thought if you went on a date, you should stay for a couple of years. I didn't realize that if he wasn't your cup of tea, you got to leave.
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English people are famous for never speaking out but only saying what they really feel about you behind your back. Americans believe the shortest distance between two points is a straight line. I like exploring those, er, differences in national snippiness.
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I never have a plan of what I am going to draw.
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A filial son to his father can be a traitorous subject to his ruler.
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Every man is the architect of his own fortune.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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My confidence comes from me, not from Jon Jones. I can't draw my confidence from another person.
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John Mayer and Jack Johnson are two of my all-time favorites. I love Colbie Caillat and really cool, beach-y, guitar, acoustic type music.
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I think it's a fundamental responsibility of the federal government to enforce our nation's borders.
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There is simply too much of my life that is involved in my work that I couldn't replicate in any other way.
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My message, especially to young people is to have courage to think differently, courage to invent, to travel the unexplored path, courage to discover the impossible and to conquer the problems and succeed. These are great qualities that they must work towards. This is my message to the young people.
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When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
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I try to think of school - this is going to sound awful - as something I do in my free time.
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Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah.
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I'm always going with my visceral reaction when I read a script. I am more drawn to characters who are conflicted, and in developing a character exploration. If it's a baddie, I'm rarely intrigued, and if it's a goody two-shoes - too much of a good guy - I'm not, either.
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Our decentralized, localized leadership structure has really allowed for Black Lives Matter structures in their own communities to take on the state and take on some of the most egregious acts against black people.
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Spending $40,000 on shoes is downright ignorant.
