Phyllis Schlafly Quotes
National Standards was not a narrative of past events but was leftwing revisionism and Political Correctness.
Quotes to Explore
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Me, it was always about being able to bounce around to where I wanna be. Like, with 'Arular,' people always say it's so political, but I think 50 per cent of the album is not very political at all. It's just really a shouty, shouty girl thing.
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I'm nearly 50. I'm past being photographed falling out of bars.
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In the past, TSR and now Wizards of the Coast have asked me to do game stats for my characters, and I'm never comfortable doing that. It's all relative after all.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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The Bushes were certainly part of Texas in their mind, but they didn't have the kind of political flavor that you normally find in Texas politicians. It's just Texas is such a unique place to itself that politically, at least so far, they haven't found anybody to play nationally.
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There are no 'political prisoners' as such in Bahrain. People are not arrested because they express their views, we only have criminals.
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The past is but the past of a beginning.
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I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
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To those who would divide us or drive us to the extremes of either political party, I remind you that Maryland has been called 'a state of middle temperament.' Our politics need that middle temperament as well.
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That job should not be a political job. We should not be hearing very publicly from the leader of the FBI.
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Writers are historians, too. It is in literature that the greater truths about a people and their past are found.
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The other inmates stand in a long straight line, flanked by guards, and I am dragged past them. I do not respect them, because they will not run - will not try to escape.
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There are trends in our societies... that can lead to some political decisions in America and in Europe that can give some ground to the radicalization discourse.
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One of the most unsettling things about 'Monologue' is its long silences, in which the man sits alone, staring into the middle distance, without grip of his narrative, lost to the past.
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The history of Israel-Palestine conflict cannot be understood without its underlying emotional meanders. The emotional frameworks of the loss of Palestine for the Arab-Islamic world touched deep scars that go back to the Crusades, symbolizing a proof of Arab-Islamic decay, political impotence, and perceived (British/French) betrayal and antagonism.
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While I do not hesitate to applaud certain aspects of the resolution honoring the sacrifices of our courageous soldiers who are risking their lives in Iraq, I cannot be supportive of capitalizing on these very sacrifices for political gain.
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It's not possible for two countries to be the leading dominant political power at the same time.
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I don't understand how any good art could fail to be political.
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I believe love at first sight is possible. Centuries of literature and art and beauty has been dedicated to that idea, so who am I to argue, even if I've never experienced it?
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I was a little biker girl. I thought it was cool; everyone else thought it was really weird. The other little girls were all in these pretty dresses, and my mum bought me this black, studded leather jacket, which I loved.
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A girl who bonnets a policeman with an ashcan full of bottles is obviously good wife-and-mother timber.
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National Standards was not a narrative of past events but was leftwing revisionism and Political Correctness.
