James McBride Quotes
Quotes to Explore
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I do this acting thing mostly for myself. I like to make a connection and communicate with the audience to make myself feel less lonely. I also do it to develop my own character, so sometimes I do it to just be away in a certain area that I've never been to. But mostly, the story has to do something for me.
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I think it's just important to be able to keep things to myself and to have these moments that can't be - where I don't put them out and feel like they could be misunderstood, you know?
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I have this extraordinary life during the day, and then I get to come home to my sweet husband who loves to cook with me. I have a nice glass of wine, he has some scotch, we chat, we cook, and we hang out with the dog. I have an absolute dream life.
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I'll never be, like, sippy cup country, or write about everything I do around the house.
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Happiness is not something that just comes to you. It's an active process.
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I find skydiving really hard. I broke my back while skydiving when I was in the military, and for 18 months all my nightmares were about falling.
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I would like to do something that pushes me as an actress to make me better. I would love to do something dramatic or crazy. I think that would be so much fun.
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I received so many hate letters when I breast-fed a starving baby in Africa. I was in Sierra Leone in 2009 and I was weaning my child at that time - she was not there with me. There was a hungry baby who was crying because his mother had no milk, and I thought, 'Why throw away my milk if I can give it to a baby who needs it?'
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I worry that I can come off smarmy. I wonder if I was listening to myself if I'd want to kick my own ass.
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When you have balance in your life, work becomes an entirely different experience. There is a passion that moves you to a whole new level of fulfillment and gratitude, and that's when you can do your best... for yourself and for others.
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Why do guests always end up in the kitchen at parties? Is it a social phenomenon? Some strange gravitational pull? I don't know, but one thing is for sure: If your friends are going to congregate in your kitchen, you'd better make it as nice as possible.
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With our knowledge of modern-day genetics, we realize that it was possible for God to place the potential for all people throughout history into the genes of Adam and Eve when He created them.
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How should we deal with intrusions of fiction into life, now that we have seen the historical impact that this phenomenon can have? … Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.
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I think you’re always worried someone’s going to find out that you’re not the real deal and send you home-I don’t think there’s ever going to be a point where I’m feeling super secure and stable, but I’m really happy and excited with the way my career is going.
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A secure pluralistic society requires communities that are educated and confident both in the identity and depth of their own traditions and in those of their neighbours.
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I suppose I have a really loose interpretation of 'work' because I think that just being alive is so much work at something you don't always want to do. Being born is like being kidnapped. And then sold into slavery. People are working every minute. The machinery is always going. Even when you sleep.
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I still get laughed at but it doesn't bother me, I'm just so glad to hear laughter around me.
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I need to feel like the work I'm doing is not necessarily important, but meaningful, at least to me, because otherwise it just becomes a day job. It just becomes factory work and I get really frustrated.
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In a film, you have to externalize things that are internal and of course it becomes a debate about to what extent you do that.
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Your family are people you lean on and learn from. When I told my family I wanted to do music, they were really supportive.
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It more or less has the shape of a love song, but 'Crescent Moon' reflects more my longing for an ancient romantic context that includes wild animals, fire, danger of death, stellar navigation, and seasonal intuition.
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I think I realized very early on that you can spend a lot of time constructing a really perfect scene in final draft and just end up throwing it away because you didn't figure out that mathematics of the story first.
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If you have the material it will form itself as a kind of connective tissue.
